Global Professional Audio

Professional Audio Comprehensive Study by Type (Hardware, Software), Application (Home Use, Commercial, Education, Government, Hospitality, Retail, Other) Players and Region - Global Market Outlook to 2026

Professional Audio Market by XX Submarkets | Forecast Years 2022-2027  

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  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
Global Professional Audio Market Overview:
Professional audio or pro audio refers to both an activity and a category of high quality, studio-grade audio equipment. Typically it comprises sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using recording equipment, audio mixers, and sound reinforcement systems. Based on the Type, the market has been bifurcated into hardware and software.

Growth Drivers
  • The Escalating Live Events and Stage Shows across the Globe
  • The Surging Demand for Professional Audio from the Broadcasting Industry
  • The Surging Demand from Consumer Side for the Software’s and Hardware’s

Roadblocks
  • A High Cost of Professional Audio Equipment’s

Opportunities
  • The Technological Advancements in Professional Audio Hardware’s and Software’s
  • The Growth Opportunities from Developing Countries


Competitive Landscape:

Some of the key players profiled in the report are Sennheiser (Germany), Yamaha Corporation (Japan), Audio-Tehcnica (Japan), Shure (United States), AKG (Austria), Performance Audio, LLC (United States), Lewitt Audio (Austria), Sony Corporation (Japan), Takstar (China), MIPRO (Taiwan) and Allen and heath (United Kingdom). Additionally, following companies can also be profiled that are part of our coverage like TOA Corp. (Japan), Wisycom (Italy), Beyerdynamic (Germany) and Lectrosonic (New Mexico). Analyst at AMA Research see Japanese Vendors to retain maximum share of Global Professional Audio market by 2026.

Latest Market Insights:
On 6 June 2018, At InfoComm, Yamaha and Sennheiser have announced that the Sennheiser Digital 6000 microphone systems can be seamlessly integrated into Yamaha CL and QL series consoles with the upcoming Sennheiser and Yamaha firmware updates. These updates mean that Sennheiser’s EM 6000 and EM 6000 DANTE wireless receivers can be monitored directly from the consoles, allowing engineers to check parameters such as RF performance, link quality, audio level, and battery status directly from the console as well as adjust certain parameters without the need for additional software or screens. This integration is already available for Soundcraft Vi000 consoles.

On 17 April 2018, the multi-award-winning LEWITT LCT 640 TS has just been honored with a Musikmesse International Press Award (MIPA) in the category Recording Hardware.

What Can be Explored with the Professional Audio Market Study
 Gain Market Understanding
 Identify Growth Opportunities
 Analyze and Measure the Global Professional Audio Market by Identifying Investment across various Industry Verticals
 Understand the Trends that will drive Future Changes in Professional Audio
 Understand the Competitive Scenario
- Track Right Markets
- Identify the Right Verticals

Research Methodology:
The top-down and bottom-up approaches are used to estimate and validate the size of the Global Professional Audio market.
In order to reach an exhaustive list of functional and relevant players various industry classification standards are closely followed such as NAICS, ICB, SIC to penetrate deep in important geographies by players and a thorough validation test is conducted to reach most relevant players for survey in Professional Audio market.
In order to make priority list sorting is done based on revenue generated based on latest reporting with the help of paid databases such as Factiva, Bloomberg etc.
Finally the questionnaire is set and specifically designed to address all the necessities for primary data collection after getting prior appointment by targeting key target audience that includes Professional Audio Software Providers, Professional Audio Hardware Manufacturers, Professional Audio Hardware Traders, Technology Investors, Regulatory & Government Bodies, End Users and Others.
This helps us to gather the data related to players revenue, operating cycle and expense, profit along with product or service growth etc.
Almost 70-80% of data is collected through primary medium and further validation is done through various secondary sources that includes Regulators, World Bank, Association, Company Website, SEC filings, OTC BB, USPTO, EPO, Annual reports, press releases etc.

Report Objectives / Segmentation Covered

By Type
  • Hardware
  • Software
By Application
  • Home Use
  • Commercial
  • Education
  • Government
  • Hospitality
  • Retail
  • Other
By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. The Escalating Live Events and Stage Shows across the Globe
      • 3.2.2. The Surging Demand for Professional Audio from the Broadcasting Industry
      • 3.2.3. The Surging Demand from Consumer Side for the Software’s and Hardware’s
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Professional Audio, by Type, Application and Region (value) (2015-2020)
    • 5.1. Introduction
    • 5.2. Global Professional Audio (Value)
      • 5.2.1. Global Professional Audio by: Type (Value)
        • 5.2.1.1. Hardware
        • 5.2.1.2. Software
      • 5.2.2. Global Professional Audio by: Application (Value)
        • 5.2.2.1. Home Use
        • 5.2.2.2. Commercial
        • 5.2.2.3. Education
        • 5.2.2.4. Government
        • 5.2.2.5. Hospitality
        • 5.2.2.6. Retail
        • 5.2.2.7. Other
      • 5.2.3. Global Professional Audio Region
        • 5.2.3.1. South America
          • 5.2.3.1.1. Brazil
          • 5.2.3.1.2. Argentina
          • 5.2.3.1.3. Rest of South America
        • 5.2.3.2. Asia Pacific
          • 5.2.3.2.1. China
          • 5.2.3.2.2. Japan
          • 5.2.3.2.3. India
          • 5.2.3.2.4. South Korea
          • 5.2.3.2.5. Taiwan
          • 5.2.3.2.6. Australia
          • 5.2.3.2.7. Rest of Asia-Pacific
        • 5.2.3.3. Europe
          • 5.2.3.3.1. Germany
          • 5.2.3.3.2. France
          • 5.2.3.3.3. Italy
          • 5.2.3.3.4. United Kingdom
          • 5.2.3.3.5. Netherlands
          • 5.2.3.3.6. Rest of Europe
        • 5.2.3.4. MEA
          • 5.2.3.4.1. Middle East
          • 5.2.3.4.2. Africa
        • 5.2.3.5. North America
          • 5.2.3.5.1. United States
          • 5.2.3.5.2. Canada
          • 5.2.3.5.3. Mexico
  • 6. Professional Audio: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2020)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Sennheiser (Germany)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Yamaha Corporation (Japan)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Audio-Tehcnica (Japan)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Shure (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. AKG (Austria)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Performance Audio, LLC (United States)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Lewitt Audio (Austria)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Sony Corporation (Japan)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Takstar (China)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. MIPRO (Taiwan)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
      • 6.4.11. Allen and heath (United Kingdom)
        • 6.4.11.1. Business Overview
        • 6.4.11.2. Products/Services Offerings
        • 6.4.11.3. Financial Analysis
        • 6.4.11.4. SWOT Analysis
  • 7. Global Professional Audio Sale, by Type, Application and Region (value) (2021-2026)
    • 7.1. Introduction
    • 7.2. Global Professional Audio (Value)
      • 7.2.1. Global Professional Audio by: Type (Value)
        • 7.2.1.1. Hardware
        • 7.2.1.2. Software
      • 7.2.2. Global Professional Audio by: Application (Value)
        • 7.2.2.1. Home Use
        • 7.2.2.2. Commercial
        • 7.2.2.3. Education
        • 7.2.2.4. Government
        • 7.2.2.5. Hospitality
        • 7.2.2.6. Retail
        • 7.2.2.7. Other
      • 7.2.3. Global Professional Audio Region
        • 7.2.3.1. South America
          • 7.2.3.1.1. Brazil
          • 7.2.3.1.2. Argentina
          • 7.2.3.1.3. Rest of South America
        • 7.2.3.2. Asia Pacific
          • 7.2.3.2.1. China
          • 7.2.3.2.2. Japan
          • 7.2.3.2.3. India
          • 7.2.3.2.4. South Korea
          • 7.2.3.2.5. Taiwan
          • 7.2.3.2.6. Australia
          • 7.2.3.2.7. Rest of Asia-Pacific
        • 7.2.3.3. Europe
          • 7.2.3.3.1. Germany
          • 7.2.3.3.2. France
          • 7.2.3.3.3. Italy
          • 7.2.3.3.4. United Kingdom
          • 7.2.3.3.5. Netherlands
          • 7.2.3.3.6. Rest of Europe
        • 7.2.3.4. MEA
          • 7.2.3.4.1. Middle East
          • 7.2.3.4.2. Africa
        • 7.2.3.5. North America
          • 7.2.3.5.1. United States
          • 7.2.3.5.2. Canada
          • 7.2.3.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Professional Audio: by Type(USD Million)
  • Table 2. Professional Audio Hardware , by Region USD Million (2015-2020)
  • Table 3. Professional Audio Software , by Region USD Million (2015-2020)
  • Table 4. Professional Audio: by Application(USD Million)
  • Table 5. Professional Audio Home Use , by Region USD Million (2015-2020)
  • Table 6. Professional Audio Commercial , by Region USD Million (2015-2020)
  • Table 7. Professional Audio Education , by Region USD Million (2015-2020)
  • Table 8. Professional Audio Government , by Region USD Million (2015-2020)
  • Table 9. Professional Audio Hospitality , by Region USD Million (2015-2020)
  • Table 10. Professional Audio Retail , by Region USD Million (2015-2020)
  • Table 11. Professional Audio Other , by Region USD Million (2015-2020)
  • Table 12. South America Professional Audio, by Country USD Million (2015-2020)
  • Table 13. South America Professional Audio, by Type USD Million (2015-2020)
  • Table 14. South America Professional Audio, by Application USD Million (2015-2020)
  • Table 15. Brazil Professional Audio, by Type USD Million (2015-2020)
  • Table 16. Brazil Professional Audio, by Application USD Million (2015-2020)
  • Table 17. Argentina Professional Audio, by Type USD Million (2015-2020)
  • Table 18. Argentina Professional Audio, by Application USD Million (2015-2020)
  • Table 19. Rest of South America Professional Audio, by Type USD Million (2015-2020)
  • Table 20. Rest of South America Professional Audio, by Application USD Million (2015-2020)
  • Table 21. Asia Pacific Professional Audio, by Country USD Million (2015-2020)
  • Table 22. Asia Pacific Professional Audio, by Type USD Million (2015-2020)
  • Table 23. Asia Pacific Professional Audio, by Application USD Million (2015-2020)
  • Table 24. China Professional Audio, by Type USD Million (2015-2020)
  • Table 25. China Professional Audio, by Application USD Million (2015-2020)
  • Table 26. Japan Professional Audio, by Type USD Million (2015-2020)
  • Table 27. Japan Professional Audio, by Application USD Million (2015-2020)
  • Table 28. India Professional Audio, by Type USD Million (2015-2020)
  • Table 29. India Professional Audio, by Application USD Million (2015-2020)
  • Table 30. South Korea Professional Audio, by Type USD Million (2015-2020)
  • Table 31. South Korea Professional Audio, by Application USD Million (2015-2020)
  • Table 32. Taiwan Professional Audio, by Type USD Million (2015-2020)
  • Table 33. Taiwan Professional Audio, by Application USD Million (2015-2020)
  • Table 34. Australia Professional Audio, by Type USD Million (2015-2020)
  • Table 35. Australia Professional Audio, by Application USD Million (2015-2020)
  • Table 36. Rest of Asia-Pacific Professional Audio, by Type USD Million (2015-2020)
  • Table 37. Rest of Asia-Pacific Professional Audio, by Application USD Million (2015-2020)
  • Table 38. Europe Professional Audio, by Country USD Million (2015-2020)
  • Table 39. Europe Professional Audio, by Type USD Million (2015-2020)
  • Table 40. Europe Professional Audio, by Application USD Million (2015-2020)
  • Table 41. Germany Professional Audio, by Type USD Million (2015-2020)
  • Table 42. Germany Professional Audio, by Application USD Million (2015-2020)
  • Table 43. France Professional Audio, by Type USD Million (2015-2020)
  • Table 44. France Professional Audio, by Application USD Million (2015-2020)
  • Table 45. Italy Professional Audio, by Type USD Million (2015-2020)
  • Table 46. Italy Professional Audio, by Application USD Million (2015-2020)
  • Table 47. United Kingdom Professional Audio, by Type USD Million (2015-2020)
  • Table 48. United Kingdom Professional Audio, by Application USD Million (2015-2020)
  • Table 49. Netherlands Professional Audio, by Type USD Million (2015-2020)
  • Table 50. Netherlands Professional Audio, by Application USD Million (2015-2020)
  • Table 51. Rest of Europe Professional Audio, by Type USD Million (2015-2020)
  • Table 52. Rest of Europe Professional Audio, by Application USD Million (2015-2020)
  • Table 53. MEA Professional Audio, by Country USD Million (2015-2020)
  • Table 54. MEA Professional Audio, by Type USD Million (2015-2020)
  • Table 55. MEA Professional Audio, by Application USD Million (2015-2020)
  • Table 56. Middle East Professional Audio, by Type USD Million (2015-2020)
  • Table 57. Middle East Professional Audio, by Application USD Million (2015-2020)
  • Table 58. Africa Professional Audio, by Type USD Million (2015-2020)
  • Table 59. Africa Professional Audio, by Application USD Million (2015-2020)
  • Table 60. North America Professional Audio, by Country USD Million (2015-2020)
  • Table 61. North America Professional Audio, by Type USD Million (2015-2020)
  • Table 62. North America Professional Audio, by Application USD Million (2015-2020)
  • Table 63. United States Professional Audio, by Type USD Million (2015-2020)
  • Table 64. United States Professional Audio, by Application USD Million (2015-2020)
  • Table 65. Canada Professional Audio, by Type USD Million (2015-2020)
  • Table 66. Canada Professional Audio, by Application USD Million (2015-2020)
  • Table 67. Mexico Professional Audio, by Type USD Million (2015-2020)
  • Table 68. Mexico Professional Audio, by Application USD Million (2015-2020)
  • Table 69. Company Basic Information, Sales Area and Its Competitors
  • Table 70. Company Basic Information, Sales Area and Its Competitors
  • Table 71. Company Basic Information, Sales Area and Its Competitors
  • Table 72. Company Basic Information, Sales Area and Its Competitors
  • Table 73. Company Basic Information, Sales Area and Its Competitors
  • Table 74. Company Basic Information, Sales Area and Its Competitors
  • Table 75. Company Basic Information, Sales Area and Its Competitors
  • Table 76. Company Basic Information, Sales Area and Its Competitors
  • Table 77. Company Basic Information, Sales Area and Its Competitors
  • Table 78. Company Basic Information, Sales Area and Its Competitors
  • Table 79. Company Basic Information, Sales Area and Its Competitors
  • Table 80. Professional Audio: by Type(USD Million)
  • Table 81. Professional Audio Hardware , by Region USD Million (2021-2026)
  • Table 82. Professional Audio Software , by Region USD Million (2021-2026)
  • Table 83. Professional Audio: by Application(USD Million)
  • Table 84. Professional Audio Home Use , by Region USD Million (2021-2026)
  • Table 85. Professional Audio Commercial , by Region USD Million (2021-2026)
  • Table 86. Professional Audio Education , by Region USD Million (2021-2026)
  • Table 87. Professional Audio Government , by Region USD Million (2021-2026)
  • Table 88. Professional Audio Hospitality , by Region USD Million (2021-2026)
  • Table 89. Professional Audio Retail , by Region USD Million (2021-2026)
  • Table 90. Professional Audio Other , by Region USD Million (2021-2026)
  • Table 91. South America Professional Audio, by Country USD Million (2021-2026)
  • Table 92. South America Professional Audio, by Type USD Million (2021-2026)
  • Table 93. South America Professional Audio, by Application USD Million (2021-2026)
  • Table 94. Brazil Professional Audio, by Type USD Million (2021-2026)
  • Table 95. Brazil Professional Audio, by Application USD Million (2021-2026)
  • Table 96. Argentina Professional Audio, by Type USD Million (2021-2026)
  • Table 97. Argentina Professional Audio, by Application USD Million (2021-2026)
  • Table 98. Rest of South America Professional Audio, by Type USD Million (2021-2026)
  • Table 99. Rest of South America Professional Audio, by Application USD Million (2021-2026)
  • Table 100. Asia Pacific Professional Audio, by Country USD Million (2021-2026)
  • Table 101. Asia Pacific Professional Audio, by Type USD Million (2021-2026)
  • Table 102. Asia Pacific Professional Audio, by Application USD Million (2021-2026)
  • Table 103. China Professional Audio, by Type USD Million (2021-2026)
  • Table 104. China Professional Audio, by Application USD Million (2021-2026)
  • Table 105. Japan Professional Audio, by Type USD Million (2021-2026)
  • Table 106. Japan Professional Audio, by Application USD Million (2021-2026)
  • Table 107. India Professional Audio, by Type USD Million (2021-2026)
  • Table 108. India Professional Audio, by Application USD Million (2021-2026)
  • Table 109. South Korea Professional Audio, by Type USD Million (2021-2026)
  • Table 110. South Korea Professional Audio, by Application USD Million (2021-2026)
  • Table 111. Taiwan Professional Audio, by Type USD Million (2021-2026)
  • Table 112. Taiwan Professional Audio, by Application USD Million (2021-2026)
  • Table 113. Australia Professional Audio, by Type USD Million (2021-2026)
  • Table 114. Australia Professional Audio, by Application USD Million (2021-2026)
  • Table 115. Rest of Asia-Pacific Professional Audio, by Type USD Million (2021-2026)
  • Table 116. Rest of Asia-Pacific Professional Audio, by Application USD Million (2021-2026)
  • Table 117. Europe Professional Audio, by Country USD Million (2021-2026)
  • Table 118. Europe Professional Audio, by Type USD Million (2021-2026)
  • Table 119. Europe Professional Audio, by Application USD Million (2021-2026)
  • Table 120. Germany Professional Audio, by Type USD Million (2021-2026)
  • Table 121. Germany Professional Audio, by Application USD Million (2021-2026)
  • Table 122. France Professional Audio, by Type USD Million (2021-2026)
  • Table 123. France Professional Audio, by Application USD Million (2021-2026)
  • Table 124. Italy Professional Audio, by Type USD Million (2021-2026)
  • Table 125. Italy Professional Audio, by Application USD Million (2021-2026)
  • Table 126. United Kingdom Professional Audio, by Type USD Million (2021-2026)
  • Table 127. United Kingdom Professional Audio, by Application USD Million (2021-2026)
  • Table 128. Netherlands Professional Audio, by Type USD Million (2021-2026)
  • Table 129. Netherlands Professional Audio, by Application USD Million (2021-2026)
  • Table 130. Rest of Europe Professional Audio, by Type USD Million (2021-2026)
  • Table 131. Rest of Europe Professional Audio, by Application USD Million (2021-2026)
  • Table 132. MEA Professional Audio, by Country USD Million (2021-2026)
  • Table 133. MEA Professional Audio, by Type USD Million (2021-2026)
  • Table 134. MEA Professional Audio, by Application USD Million (2021-2026)
  • Table 135. Middle East Professional Audio, by Type USD Million (2021-2026)
  • Table 136. Middle East Professional Audio, by Application USD Million (2021-2026)
  • Table 137. Africa Professional Audio, by Type USD Million (2021-2026)
  • Table 138. Africa Professional Audio, by Application USD Million (2021-2026)
  • Table 139. North America Professional Audio, by Country USD Million (2021-2026)
  • Table 140. North America Professional Audio, by Type USD Million (2021-2026)
  • Table 141. North America Professional Audio, by Application USD Million (2021-2026)
  • Table 142. United States Professional Audio, by Type USD Million (2021-2026)
  • Table 143. United States Professional Audio, by Application USD Million (2021-2026)
  • Table 144. Canada Professional Audio, by Type USD Million (2021-2026)
  • Table 145. Canada Professional Audio, by Application USD Million (2021-2026)
  • Table 146. Mexico Professional Audio, by Type USD Million (2021-2026)
  • Table 147. Mexico Professional Audio, by Application USD Million (2021-2026)
  • Table 148. Research Programs/Design for This Report
  • Table 149. Key Data Information from Secondary Sources
  • Table 150. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Professional Audio: by Type USD Million (2015-2020)
  • Figure 5. Global Professional Audio: by Application USD Million (2015-2020)
  • Figure 6. South America Professional Audio Share (%), by Country
  • Figure 7. Asia Pacific Professional Audio Share (%), by Country
  • Figure 8. Europe Professional Audio Share (%), by Country
  • Figure 9. MEA Professional Audio Share (%), by Country
  • Figure 10. North America Professional Audio Share (%), by Country
  • Figure 11. Global Professional Audio share by Players 2020 (%)
  • Figure 12. Global Professional Audio share by Players (Top 3) 2020(%)
  • Figure 13. Global Professional Audio share by Players (Top 5) 2020(%)
  • Figure 14. BCG Matrix for key Companies
  • Figure 15. Sennheiser (Germany) Revenue, Net Income and Gross profit
  • Figure 16. Sennheiser (Germany) Revenue: by Geography 2020
  • Figure 17. Yamaha Corporation (Japan) Revenue, Net Income and Gross profit
  • Figure 18. Yamaha Corporation (Japan) Revenue: by Geography 2020
  • Figure 19. Audio-Tehcnica (Japan) Revenue, Net Income and Gross profit
  • Figure 20. Audio-Tehcnica (Japan) Revenue: by Geography 2020
  • Figure 21. Shure (United States) Revenue, Net Income and Gross profit
  • Figure 22. Shure (United States) Revenue: by Geography 2020
  • Figure 23. AKG (Austria) Revenue, Net Income and Gross profit
  • Figure 24. AKG (Austria) Revenue: by Geography 2020
  • Figure 25. Performance Audio, LLC (United States) Revenue, Net Income and Gross profit
  • Figure 26. Performance Audio, LLC (United States) Revenue: by Geography 2020
  • Figure 27. Lewitt Audio (Austria) Revenue, Net Income and Gross profit
  • Figure 28. Lewitt Audio (Austria) Revenue: by Geography 2020
  • Figure 29. Sony Corporation (Japan) Revenue, Net Income and Gross profit
  • Figure 30. Sony Corporation (Japan) Revenue: by Geography 2020
  • Figure 31. Takstar (China) Revenue, Net Income and Gross profit
  • Figure 32. Takstar (China) Revenue: by Geography 2020
  • Figure 33. MIPRO (Taiwan) Revenue, Net Income and Gross profit
  • Figure 34. MIPRO (Taiwan) Revenue: by Geography 2020
  • Figure 35. Allen and heath (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 36. Allen and heath (United Kingdom) Revenue: by Geography 2020
  • Figure 37. Global Professional Audio: by Type USD Million (2021-2026)
  • Figure 38. Global Professional Audio: by Application USD Million (2021-2026)
  • Figure 39. South America Professional Audio Share (%), by Country
  • Figure 40. Asia Pacific Professional Audio Share (%), by Country
  • Figure 41. Europe Professional Audio Share (%), by Country
  • Figure 42. MEA Professional Audio Share (%), by Country
  • Figure 43. North America Professional Audio Share (%), by Country
List of companies from research coverage that are profiled in the study
  • Sennheiser (Germany)
  • Yamaha Corporation (Japan)
  • Audio-Tehcnica (Japan)
  • Shure (United States)
  • AKG (Austria)
  • Performance Audio, LLC (United States)
  • Lewitt Audio (Austria)
  • Sony Corporation (Japan)
  • Takstar (China)
  • MIPRO (Taiwan)
  • Allen and heath (United Kingdom)
Additional players considered in the study are as follows:
TOA Corp. (Japan) , Wisycom (Italy) , Beyerdynamic (Germany) , Lectrosonic (New Mexico) ,
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Key Highlights of Report


Oct 2021 220 Pages 84 Tables Base Year: 2021 Coverage: 15+ Companies; 18 Countries

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Frequently Asked Questions (FAQ):

The Professional Audio market is expected to see a CAGR of % during projected year 2020 to 2026.
Top performing companies in the Global Professional Audio market are Sennheiser (Germany), Yamaha Corporation (Japan), Audio-Tehcnica (Japan), Shure (United States), AKG (Austria), Performance Audio, LLC (United States), Lewitt Audio (Austria), Sony Corporation (Japan), Takstar (China), MIPRO (Taiwan) and Allen and heath (United Kingdom), to name a few.

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