Global Crypto Music and Audio Market

Crypto Music and Audio Comprehensive Study by Type (Audio, Visual and Image Content), Application (Games, Videos, Media, Others), End-Use Verticals (Artist, Music Streaming and Sharing, Musician, Game Developers, Others), Platform (Aurovine, Audius, XSongs, Emanate), Distribution Channel (On-demand, Direct to Customer) Players and Region - Global Market Outlook to 2028

Crypto Music and Audio Market by XX Submarkets | Forecast Years 2023-2028 | CAGR: 43.56%  

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  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
Crypto Music and Audio Market Scope
Crypto is a form of payment that can circulate without the need for a central monetary authority including a government or bank. Crypto music is the use of non-fungible tokens (NFTs). Indeed, it was the first album to be released as a non-fungible token, an emerging digital collectible technology revolutionizing the art and music industry. It is the first truly major example of what many in the industry are rising to as crypto music and audio. A non-fungible item is a unique digital asset that is not interchangeable. The crypto music and audio NFT could encompass anything from an album, song, piece of merchandise. An NFT is a rare item that is recorded on a digital ledger in the music and audio industry. It making some serious waves in the artistic industry, with the new music niche gathering

AttributesDetails
Study Period2018-2028
Base Year2022
High Growth MarketAsia Pacific
Largest MarketNorth America
UnitValue (USD Million)
Key Companies ProfiledDigimarc (United States), Vezt Inc. (United States), Mediachain (United States), Open Music Initiative (United States), Musicoin Foundation (China), Mycelia (United Kingdom), Viberate (Slovenia), Blokur (United Kingdom), eMusic (United States) and VOISE (Canada)
CAGR43.56%


Global Crypto Music and Audio is a fragmented market due to the presence of various players. The companies are planning strategic activities like partnerships, mergers, and acquisitions which will help them to sustain in the market and maintain their competitive edge. Research Analyst at AMA estimates that United States Players will contribute to the maximum growth of Global Crypto Music and Audio market throughout the predicted period.

Digimarc (United States), Vezt Inc. (United States), Mediachain (United States), Open Music Initiative (United States), Musicoin Foundation (China), Mycelia (United Kingdom), Viberate (Slovenia), Blokur (United Kingdom), eMusic (United States) and VOISE (Canada) are some of the key players that are part of study coverage. Additionally, the Players which are also part of the research are BitSong (Malta).

About Approach
The research aims to propose a patent-based approach in searching for potential technology partners as a supporting tool for enabling open innovation. The study also proposes a systematic searching process of technology partners as a preliminary step to select the emerging and key players that are involved in implementing market estimations. While patent analysis is employed to overcome the aforementioned data- and process-related limitations, as expenses occurred in that technology allows us to estimate the market size by evolving segments as target market from the total available market.

Segmentation Overview
The study have segmented the market of Global Crypto Music and Audio market by Type , by Application (Games, Videos, Media and Others) and Region with country level break-up.

On the basis of geography, the market of Crypto Music and Audio has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). North America region held largest market share in the year 2022. Europe on the other hand stood as second largest market due to the presence of key companies into the region and high technological advancement.

Market Leaders and their expansionary development strategies
In July 2021, Opensea Released a statement announcing that it has acquired USD100 million Series B round, led by Andreessen Horowitz valuing the organization at USD1.5 billion. As the first cross-blockchain NFT marketplace, the company is also announcing official support for various blockchains. With this funding, OpenSea will continue to scale its NFT platform, with an initial focus on adding engineering expertise and expanding worldwide to new regions and audiences, allowing users to buy and trade NFTs more easily.
In July 2023, Viberate Released Crypto Music and Audio market study has evaluated the future growth potential of Crypto Music and Audio market and provides information and useful stats on market structure and size.
As per the United States guidelines, "Sell NFTs requires a careful evaluation of the basket of legal rights owned by the artist, and those rights owned or granted to third parties such as music labels, publishers, and merchandise rights holders."

Influencing Trend:
Rising Popularity of Crypto Music and Growing Digital Innovation over the Globe

Market Growth Drivers:
Removal of Centralized Music Platform and Rapidly Growing Music Fans

Challenges:
Regulatory Guidelines on Crypto Music and Audio

Restraints:
Increasing Digital Fraud Activities

Opportunities:
Artist Preference to Grow Community is the Major Factor can Drive the Global Market Growth and Rising Demand due to the Convenience, Portability, And Novelty

Key Target Audience
Crypto Music and Audio Regulatory Bodies, Potential Investors, Venture and Capitalist, Research and Development Institutes and Others

Report Objectives / Segmentation Covered

By Type
  • Audio
  • Visual and Image Content
By Application
  • Games
  • Videos
  • Media
  • Others
By End-Use Verticals
  • Artist
  • Music Streaming and Sharing
  • Musician
  • Game Developers
  • Others

By Platform
  • Aurovine
  • Audius
  • XSongs
  • Emanate

By Distribution Channel
  • On-demand
  • Direct to Customer

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Removal of Centralized Music Platform
      • 3.2.2. Rapidly Growing Music Fans
    • 3.3. Market Challenges
      • 3.3.1. Regulatory Guidelines on Crypto Music and Audio
    • 3.4. Market Trends
      • 3.4.1. Rising Popularity of Crypto Music
      • 3.4.2. Growing Digital Innovation over the Globe
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Crypto Music and Audio, by Type, Application, End-Use Verticals, Platform, Distribution Channel and Region (value and price ) (2017-2022)
    • 5.1. Introduction
    • 5.2. Global Crypto Music and Audio (Value)
      • 5.2.1. Global Crypto Music and Audio by: Type (Value)
        • 5.2.1.1. Audio
        • 5.2.1.2. Visual and Image Content
      • 5.2.2. Global Crypto Music and Audio by: Application (Value)
        • 5.2.2.1. Games
        • 5.2.2.2. Videos
        • 5.2.2.3. Media
        • 5.2.2.4. Others
      • 5.2.3. Global Crypto Music and Audio by: End-Use Verticals (Value)
        • 5.2.3.1. Artist
        • 5.2.3.2. Music Streaming and Sharing
        • 5.2.3.3. Musician
        • 5.2.3.4. Game Developers
        • 5.2.3.5. Others
      • 5.2.4. Global Crypto Music and Audio by: Platform (Value)
        • 5.2.4.1. Aurovine
        • 5.2.4.2. Audius
        • 5.2.4.3. XSongs
        • 5.2.4.4. Emanate
      • 5.2.5. Global Crypto Music and Audio by: Distribution Channel (Value)
        • 5.2.5.1. On-demand
        • 5.2.5.2. Direct to Customer
      • 5.2.6. Global Crypto Music and Audio Region
        • 5.2.6.1. South America
          • 5.2.6.1.1. Brazil
          • 5.2.6.1.2. Argentina
          • 5.2.6.1.3. Rest of South America
        • 5.2.6.2. Asia Pacific
          • 5.2.6.2.1. China
          • 5.2.6.2.2. Japan
          • 5.2.6.2.3. India
          • 5.2.6.2.4. South Korea
          • 5.2.6.2.5. Australia
          • 5.2.6.2.6. Rest of Asia-Pacific
        • 5.2.6.3. Europe
          • 5.2.6.3.1. Germany
          • 5.2.6.3.2. France
          • 5.2.6.3.3. Italy
          • 5.2.6.3.4. United Kingdom
          • 5.2.6.3.5. Netherlands
          • 5.2.6.3.6. Rest of Europe
        • 5.2.6.4. MEA
          • 5.2.6.4.1. Middle East
          • 5.2.6.4.2. Africa
        • 5.2.6.5. North America
          • 5.2.6.5.1. United States
          • 5.2.6.5.2. Canada
          • 5.2.6.5.3. Mexico
    • 5.3. Global Crypto Music and Audio (Price)
      • 5.3.1. Global Crypto Music and Audio by: Type (Price)
  • 6. Crypto Music and Audio: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2022)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Digimarc (United States)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Vezt Inc. (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Mediachain (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Open Music Initiative (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Musicoin Foundation (China)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Mycelia (United Kingdom)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Viberate (Slovenia)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Blokur (United Kingdom)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. EMusic (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. VOISE (Canada)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Crypto Music and Audio Sale, by Type, Application, End-Use Verticals, Platform, Distribution Channel and Region (value and price ) (2023-2028)
    • 7.1. Introduction
    • 7.2. Global Crypto Music and Audio (Value)
      • 7.2.1. Global Crypto Music and Audio by: Type (Value)
        • 7.2.1.1. Audio
        • 7.2.1.2. Visual and Image Content
      • 7.2.2. Global Crypto Music and Audio by: Application (Value)
        • 7.2.2.1. Games
        • 7.2.2.2. Videos
        • 7.2.2.3. Media
        • 7.2.2.4. Others
      • 7.2.3. Global Crypto Music and Audio by: End-Use Verticals (Value)
        • 7.2.3.1. Artist
        • 7.2.3.2. Music Streaming and Sharing
        • 7.2.3.3. Musician
        • 7.2.3.4. Game Developers
        • 7.2.3.5. Others
      • 7.2.4. Global Crypto Music and Audio by: Platform (Value)
        • 7.2.4.1. Aurovine
        • 7.2.4.2. Audius
        • 7.2.4.3. XSongs
        • 7.2.4.4. Emanate
      • 7.2.5. Global Crypto Music and Audio by: Distribution Channel (Value)
        • 7.2.5.1. On-demand
        • 7.2.5.2. Direct to Customer
      • 7.2.6. Global Crypto Music and Audio Region
        • 7.2.6.1. South America
          • 7.2.6.1.1. Brazil
          • 7.2.6.1.2. Argentina
          • 7.2.6.1.3. Rest of South America
        • 7.2.6.2. Asia Pacific
          • 7.2.6.2.1. China
          • 7.2.6.2.2. Japan
          • 7.2.6.2.3. India
          • 7.2.6.2.4. South Korea
          • 7.2.6.2.5. Australia
          • 7.2.6.2.6. Rest of Asia-Pacific
        • 7.2.6.3. Europe
          • 7.2.6.3.1. Germany
          • 7.2.6.3.2. France
          • 7.2.6.3.3. Italy
          • 7.2.6.3.4. United Kingdom
          • 7.2.6.3.5. Netherlands
          • 7.2.6.3.6. Rest of Europe
        • 7.2.6.4. MEA
          • 7.2.6.4.1. Middle East
          • 7.2.6.4.2. Africa
        • 7.2.6.5. North America
          • 7.2.6.5.1. United States
          • 7.2.6.5.2. Canada
          • 7.2.6.5.3. Mexico
    • 7.3. Global Crypto Music and Audio (Price)
      • 7.3.1. Global Crypto Music and Audio by: Type (Price)
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Crypto Music and Audio: by Type(USD Million)
  • Table 2. Crypto Music and Audio Audio , by Region USD Million (2017-2022)
  • Table 3. Crypto Music and Audio Visual and Image Content , by Region USD Million (2017-2022)
  • Table 4. Crypto Music and Audio: by Application(USD Million)
  • Table 5. Crypto Music and Audio Games , by Region USD Million (2017-2022)
  • Table 6. Crypto Music and Audio Videos , by Region USD Million (2017-2022)
  • Table 7. Crypto Music and Audio Media , by Region USD Million (2017-2022)
  • Table 8. Crypto Music and Audio Others , by Region USD Million (2017-2022)
  • Table 9. Crypto Music and Audio: by End-Use Verticals(USD Million)
  • Table 10. Crypto Music and Audio Artist , by Region USD Million (2017-2022)
  • Table 11. Crypto Music and Audio Music Streaming and Sharing , by Region USD Million (2017-2022)
  • Table 12. Crypto Music and Audio Musician , by Region USD Million (2017-2022)
  • Table 13. Crypto Music and Audio Game Developers , by Region USD Million (2017-2022)
  • Table 14. Crypto Music and Audio Others , by Region USD Million (2017-2022)
  • Table 15. Crypto Music and Audio: by Platform(USD Million)
  • Table 16. Crypto Music and Audio Aurovine , by Region USD Million (2017-2022)
  • Table 17. Crypto Music and Audio Audius , by Region USD Million (2017-2022)
  • Table 18. Crypto Music and Audio XSongs , by Region USD Million (2017-2022)
  • Table 19. Crypto Music and Audio Emanate , by Region USD Million (2017-2022)
  • Table 20. Crypto Music and Audio: by Distribution Channel(USD Million)
  • Table 21. Crypto Music and Audio On-demand , by Region USD Million (2017-2022)
  • Table 22. Crypto Music and Audio Direct to Customer , by Region USD Million (2017-2022)
  • Table 23. South America Crypto Music and Audio, by Country USD Million (2017-2022)
  • Table 24. South America Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 25. South America Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 26. South America Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 27. South America Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 28. South America Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 29. Brazil Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 30. Brazil Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 31. Brazil Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 32. Brazil Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 33. Brazil Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 34. Argentina Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 35. Argentina Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 36. Argentina Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 37. Argentina Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 38. Argentina Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 39. Rest of South America Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 40. Rest of South America Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 41. Rest of South America Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 42. Rest of South America Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 43. Rest of South America Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 44. Asia Pacific Crypto Music and Audio, by Country USD Million (2017-2022)
  • Table 45. Asia Pacific Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 46. Asia Pacific Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 47. Asia Pacific Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 48. Asia Pacific Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 49. Asia Pacific Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 50. China Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 51. China Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 52. China Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 53. China Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 54. China Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 55. Japan Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 56. Japan Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 57. Japan Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 58. Japan Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 59. Japan Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 60. India Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 61. India Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 62. India Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 63. India Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 64. India Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 65. South Korea Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 66. South Korea Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 67. South Korea Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 68. South Korea Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 69. South Korea Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 70. Australia Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 71. Australia Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 72. Australia Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 73. Australia Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 74. Australia Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 75. Rest of Asia-Pacific Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 76. Rest of Asia-Pacific Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 77. Rest of Asia-Pacific Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 78. Rest of Asia-Pacific Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 79. Rest of Asia-Pacific Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 80. Europe Crypto Music and Audio, by Country USD Million (2017-2022)
  • Table 81. Europe Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 82. Europe Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 83. Europe Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 84. Europe Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 85. Europe Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 86. Germany Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 87. Germany Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 88. Germany Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 89. Germany Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 90. Germany Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 91. France Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 92. France Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 93. France Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 94. France Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 95. France Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 96. Italy Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 97. Italy Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 98. Italy Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 99. Italy Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 100. Italy Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 101. United Kingdom Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 102. United Kingdom Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 103. United Kingdom Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 104. United Kingdom Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 105. United Kingdom Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 106. Netherlands Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 107. Netherlands Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 108. Netherlands Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 109. Netherlands Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 110. Netherlands Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 111. Rest of Europe Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 112. Rest of Europe Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 113. Rest of Europe Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 114. Rest of Europe Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 115. Rest of Europe Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 116. MEA Crypto Music and Audio, by Country USD Million (2017-2022)
  • Table 117. MEA Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 118. MEA Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 119. MEA Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 120. MEA Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 121. MEA Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 122. Middle East Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 123. Middle East Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 124. Middle East Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 125. Middle East Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 126. Middle East Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 127. Africa Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 128. Africa Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 129. Africa Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 130. Africa Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 131. Africa Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 132. North America Crypto Music and Audio, by Country USD Million (2017-2022)
  • Table 133. North America Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 134. North America Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 135. North America Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 136. North America Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 137. North America Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 138. United States Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 139. United States Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 140. United States Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 141. United States Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 142. United States Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 143. Canada Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 144. Canada Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 145. Canada Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 146. Canada Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 147. Canada Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 148. Mexico Crypto Music and Audio, by Type USD Million (2017-2022)
  • Table 149. Mexico Crypto Music and Audio, by Application USD Million (2017-2022)
  • Table 150. Mexico Crypto Music and Audio, by End-Use Verticals USD Million (2017-2022)
  • Table 151. Mexico Crypto Music and Audio, by Platform USD Million (2017-2022)
  • Table 152. Mexico Crypto Music and Audio, by Distribution Channel USD Million (2017-2022)
  • Table 153. Crypto Music and Audio: by Type(USD/Units)
  • Table 154. Company Basic Information, Sales Area and Its Competitors
  • Table 155. Company Basic Information, Sales Area and Its Competitors
  • Table 156. Company Basic Information, Sales Area and Its Competitors
  • Table 157. Company Basic Information, Sales Area and Its Competitors
  • Table 158. Company Basic Information, Sales Area and Its Competitors
  • Table 159. Company Basic Information, Sales Area and Its Competitors
  • Table 160. Company Basic Information, Sales Area and Its Competitors
  • Table 161. Company Basic Information, Sales Area and Its Competitors
  • Table 162. Company Basic Information, Sales Area and Its Competitors
  • Table 163. Company Basic Information, Sales Area and Its Competitors
  • Table 164. Crypto Music and Audio: by Type(USD Million)
  • Table 165. Crypto Music and Audio Audio , by Region USD Million (2023-2028)
  • Table 166. Crypto Music and Audio Visual and Image Content , by Region USD Million (2023-2028)
  • Table 167. Crypto Music and Audio: by Application(USD Million)
  • Table 168. Crypto Music and Audio Games , by Region USD Million (2023-2028)
  • Table 169. Crypto Music and Audio Videos , by Region USD Million (2023-2028)
  • Table 170. Crypto Music and Audio Media , by Region USD Million (2023-2028)
  • Table 171. Crypto Music and Audio Others , by Region USD Million (2023-2028)
  • Table 172. Crypto Music and Audio: by End-Use Verticals(USD Million)
  • Table 173. Crypto Music and Audio Artist , by Region USD Million (2023-2028)
  • Table 174. Crypto Music and Audio Music Streaming and Sharing , by Region USD Million (2023-2028)
  • Table 175. Crypto Music and Audio Musician , by Region USD Million (2023-2028)
  • Table 176. Crypto Music and Audio Game Developers , by Region USD Million (2023-2028)
  • Table 177. Crypto Music and Audio Others , by Region USD Million (2023-2028)
  • Table 178. Crypto Music and Audio: by Platform(USD Million)
  • Table 179. Crypto Music and Audio Aurovine , by Region USD Million (2023-2028)
  • Table 180. Crypto Music and Audio Audius , by Region USD Million (2023-2028)
  • Table 181. Crypto Music and Audio XSongs , by Region USD Million (2023-2028)
  • Table 182. Crypto Music and Audio Emanate , by Region USD Million (2023-2028)
  • Table 183. Crypto Music and Audio: by Distribution Channel(USD Million)
  • Table 184. Crypto Music and Audio On-demand , by Region USD Million (2023-2028)
  • Table 185. Crypto Music and Audio Direct to Customer , by Region USD Million (2023-2028)
  • Table 186. South America Crypto Music and Audio, by Country USD Million (2023-2028)
  • Table 187. South America Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 188. South America Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 189. South America Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 190. South America Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 191. South America Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 192. Brazil Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 193. Brazil Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 194. Brazil Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 195. Brazil Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 196. Brazil Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 197. Argentina Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 198. Argentina Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 199. Argentina Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 200. Argentina Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 201. Argentina Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 202. Rest of South America Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 203. Rest of South America Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 204. Rest of South America Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 205. Rest of South America Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 206. Rest of South America Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 207. Asia Pacific Crypto Music and Audio, by Country USD Million (2023-2028)
  • Table 208. Asia Pacific Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 209. Asia Pacific Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 210. Asia Pacific Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 211. Asia Pacific Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 212. Asia Pacific Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 213. China Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 214. China Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 215. China Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 216. China Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 217. China Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 218. Japan Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 219. Japan Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 220. Japan Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 221. Japan Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 222. Japan Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 223. India Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 224. India Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 225. India Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 226. India Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 227. India Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 228. South Korea Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 229. South Korea Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 230. South Korea Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 231. South Korea Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 232. South Korea Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 233. Australia Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 234. Australia Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 235. Australia Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 236. Australia Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 237. Australia Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 238. Rest of Asia-Pacific Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 239. Rest of Asia-Pacific Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 240. Rest of Asia-Pacific Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 241. Rest of Asia-Pacific Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 242. Rest of Asia-Pacific Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 243. Europe Crypto Music and Audio, by Country USD Million (2023-2028)
  • Table 244. Europe Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 245. Europe Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 246. Europe Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 247. Europe Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 248. Europe Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 249. Germany Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 250. Germany Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 251. Germany Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 252. Germany Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 253. Germany Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 254. France Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 255. France Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 256. France Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 257. France Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 258. France Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 259. Italy Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 260. Italy Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 261. Italy Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 262. Italy Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 263. Italy Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 264. United Kingdom Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 265. United Kingdom Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 266. United Kingdom Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 267. United Kingdom Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 268. United Kingdom Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 269. Netherlands Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 270. Netherlands Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 271. Netherlands Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 272. Netherlands Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 273. Netherlands Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 274. Rest of Europe Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 275. Rest of Europe Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 276. Rest of Europe Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 277. Rest of Europe Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 278. Rest of Europe Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 279. MEA Crypto Music and Audio, by Country USD Million (2023-2028)
  • Table 280. MEA Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 281. MEA Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 282. MEA Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 283. MEA Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 284. MEA Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 285. Middle East Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 286. Middle East Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 287. Middle East Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 288. Middle East Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 289. Middle East Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 290. Africa Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 291. Africa Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 292. Africa Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 293. Africa Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 294. Africa Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 295. North America Crypto Music and Audio, by Country USD Million (2023-2028)
  • Table 296. North America Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 297. North America Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 298. North America Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 299. North America Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 300. North America Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 301. United States Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 302. United States Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 303. United States Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 304. United States Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 305. United States Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 306. Canada Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 307. Canada Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 308. Canada Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 309. Canada Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 310. Canada Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 311. Mexico Crypto Music and Audio, by Type USD Million (2023-2028)
  • Table 312. Mexico Crypto Music and Audio, by Application USD Million (2023-2028)
  • Table 313. Mexico Crypto Music and Audio, by End-Use Verticals USD Million (2023-2028)
  • Table 314. Mexico Crypto Music and Audio, by Platform USD Million (2023-2028)
  • Table 315. Mexico Crypto Music and Audio, by Distribution Channel USD Million (2023-2028)
  • Table 316. Crypto Music and Audio: by Type(USD/Units)
  • Table 317. Research Programs/Design for This Report
  • Table 318. Key Data Information from Secondary Sources
  • Table 319. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Crypto Music and Audio: by Type USD Million (2017-2022)
  • Figure 5. Global Crypto Music and Audio: by Application USD Million (2017-2022)
  • Figure 6. Global Crypto Music and Audio: by End-Use Verticals USD Million (2017-2022)
  • Figure 7. Global Crypto Music and Audio: by Platform USD Million (2017-2022)
  • Figure 8. Global Crypto Music and Audio: by Distribution Channel USD Million (2017-2022)
  • Figure 9. South America Crypto Music and Audio Share (%), by Country
  • Figure 10. Asia Pacific Crypto Music and Audio Share (%), by Country
  • Figure 11. Europe Crypto Music and Audio Share (%), by Country
  • Figure 12. MEA Crypto Music and Audio Share (%), by Country
  • Figure 13. North America Crypto Music and Audio Share (%), by Country
  • Figure 14. Global Crypto Music and Audio: by Type USD/Units (2017-2022)
  • Figure 15. Global Crypto Music and Audio share by Players 2022 (%)
  • Figure 16. Global Crypto Music and Audio share by Players (Top 3) 2022(%)
  • Figure 17. Global Crypto Music and Audio share by Players (Top 5) 2022(%)
  • Figure 18. BCG Matrix for key Companies
  • Figure 19. Digimarc (United States) Revenue, Net Income and Gross profit
  • Figure 20. Digimarc (United States) Revenue: by Geography 2022
  • Figure 21. Vezt Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 22. Vezt Inc. (United States) Revenue: by Geography 2022
  • Figure 23. Mediachain (United States) Revenue, Net Income and Gross profit
  • Figure 24. Mediachain (United States) Revenue: by Geography 2022
  • Figure 25. Open Music Initiative (United States) Revenue, Net Income and Gross profit
  • Figure 26. Open Music Initiative (United States) Revenue: by Geography 2022
  • Figure 27. Musicoin Foundation (China) Revenue, Net Income and Gross profit
  • Figure 28. Musicoin Foundation (China) Revenue: by Geography 2022
  • Figure 29. Mycelia (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 30. Mycelia (United Kingdom) Revenue: by Geography 2022
  • Figure 31. Viberate (Slovenia) Revenue, Net Income and Gross profit
  • Figure 32. Viberate (Slovenia) Revenue: by Geography 2022
  • Figure 33. Blokur (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 34. Blokur (United Kingdom) Revenue: by Geography 2022
  • Figure 35. EMusic (United States) Revenue, Net Income and Gross profit
  • Figure 36. EMusic (United States) Revenue: by Geography 2022
  • Figure 37. VOISE (Canada) Revenue, Net Income and Gross profit
  • Figure 38. VOISE (Canada) Revenue: by Geography 2022
  • Figure 39. Global Crypto Music and Audio: by Type USD Million (2023-2028)
  • Figure 40. Global Crypto Music and Audio: by Application USD Million (2023-2028)
  • Figure 41. Global Crypto Music and Audio: by End-Use Verticals USD Million (2023-2028)
  • Figure 42. Global Crypto Music and Audio: by Platform USD Million (2023-2028)
  • Figure 43. Global Crypto Music and Audio: by Distribution Channel USD Million (2023-2028)
  • Figure 44. South America Crypto Music and Audio Share (%), by Country
  • Figure 45. Asia Pacific Crypto Music and Audio Share (%), by Country
  • Figure 46. Europe Crypto Music and Audio Share (%), by Country
  • Figure 47. MEA Crypto Music and Audio Share (%), by Country
  • Figure 48. North America Crypto Music and Audio Share (%), by Country
  • Figure 49. Global Crypto Music and Audio: by Type USD/Units (2023-2028)
List of companies from research coverage that are profiled in the study
  • Digimarc (United States)
  • Vezt Inc. (United States)
  • Mediachain (United States)
  • Open Music Initiative (United States)
  • Musicoin Foundation (China)
  • Mycelia (United Kingdom)
  • Viberate (Slovenia)
  • Blokur (United Kingdom)
  • eMusic (United States)
  • VOISE (Canada)
Additional players considered in the study are as follows:
BitSong (Malta)
Select User Access Type

Key Highlights of Report


Nov 2023 238 Pages 51 Tables Base Year: 2022 Coverage: 15+ Companies; 18 Countries

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Global Crypto Music and Audio Market Quantitative research analysis
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Frequently Asked Questions (FAQ):

The key segments that are playing vital role in Crypto Music and Audio Market are by type [Audio and Visual and Image Content], by end use application [Games, Videos, Media and Others].
The Crypto Music and Audio Market is gaining popularity and expected to see strong valuation by 2028.
  • Removal of Centralized Music Platform
  • Rapidly Growing Music Fans

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