Global Entertainment Software

Entertainment Software Comprehensive Study by Type (Music, Video, Gaming, Other), Application (Adult, Child), Software Mode (Online, Offline) Players and Region - Global Market Outlook to 2030

Entertainment Software Market by XX Submarkets | Forecast Years 2024-2030  

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  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
About Entertainment Software
Entertainment Software is becoming an integral part of the regular lifestyles in developed countries mainly due to the higher availability of disposable incomes. The entertainment software provides online audio, video and gaming consoles on the mobile screens, TV screens, other displays such as VRs or LEDs. Around 65% of the Americans are the regular consumers of this entertainment software who watch or play this software at-least once a day. Due to numerous technological advancements in entertainment software the global market is expected to grow at the highest rate.

AttributesDetails
Study Period2018-2030
Base Year2023
High Growth MarketAsia Pacific
UnitValue (USD Million)


Entertainment Software is a fragmented market due to the presence of various players. The players are focusing on strategic activities like partnerships, mergers, and acquisitions which will help them to sustain in the market and maintain their competitive edge.The Players having a strong hold in the market are 2K Games, Tencent, Petroglyph Games, Sony Computer Entertainment, and Ubisoft Entertainment. Analyst at AMA Research estimates that United States Players will contribute the maximum growth to Global Entertainment Software market throughout the forecasted period. Established and emerging Players should take a closer view at their existing organizations and reinvent traditional business and operating models to adapt to the future.

2K Games (United States), Tencent (China), Petroglyph Games (United States), Sony Computer Entertainment (Japan), Ubisoft Entertainment (France), Activision Blizzard (United States), Nexon (United States), Disney Interactive (United States), Electronic Arts (United States) and Nintendo (United States) are some of the key players that are part of study coverage. Additionally, the Players which are also part of the research coverage are VideoLAN Corporation (France) and Lifescape, Inc. (United States).

Segmentation Overview
AMA Research has segmented the market of Global Entertainment Software market by Type (Music, Video, Gaming and Other), Application (Adult and Child) and Region.



On the basis of geography, the market of Entertainment Software has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). North America region held largest market share in the year 2023. Europe, on the other hand, stood as the second largest market due to the presence of key companies in the region and high technological advancement. If we see Market by Software Mode, the sub-segment i.e. Online will boost the Entertainment Software market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth.

Influencing Trend:
Increasing Adoption of Entertainment Software in the United States and Growing Interests in Live Gaming Experiences

Market Growth Drivers:
Robust Increase in Active Mobile users, Growing creation of subscription video services (SVOD) and Integration with AR and VR Technology

Challenges:
Volatile Consumer Preferences and Stringent Cyber Security Regulations might Stagnate Business Growth

Restraints:
Availability of Number of Substitutes across the Globe and Hardware Prerequisites such as Mobile Phones, Tablets might hamper the demand

Opportunities:
Focusing on Building Subscription Models around the Premium Contain will Maximize Profitability and Introduction to Virtual Reality and Artificial Intelligence enabled Applications

Market Leaders and their expansionary development strategies
In August 2019, City National Bank Acquired Entertainment Software Company. City National Bank, which is one of the most dominant financial services companies in the entertainment mecca of the world, has found a clever way to strengthen its business relationships and perhaps expand into new ones.
In March 2019, Space Junkies has been launched on March 26 when the open beta kicks off on PlayStation VR, Oculus Rift, HTC Vive, and Windows Mixed Reality. Running until March 25 and featuring full cross-play support, the open beta will be a chance to jump into four fast-paced PvP modes, in which you'll team with and hunt down other players, with full freedom of movement across several zero-G maps.


Key Target Audience
Entertainment Software Providers, Game Developers, Information Security Provides, Research and Development Institutes, Government Agencies and Others

About Approach
To evaluate and validate the market size various sources including primary and secondary analysis is utilized. AMA Research follows regulatory standards such as NAICS/SIC/ICB/TRCB, to have a better understanding of the market. The market study is conducted on basis of more than 200 companies dealing in the market regional as well as global areas with the purpose to understand the companies positioning regarding the market value, volume, and their market share for regional as well as global.

Further to bring relevance specific to any niche market we set and apply a number of criteria like Geographic Footprints, Regional Segments of Revenue, Operational Centres, etc. The next step is to finalize a team (In-House + Data Agencies) who then starts collecting C & D level executives and profiles, Industry experts, Opinion leaders, etc., and work towards appointment generation.

The primary research is performed by taking the interviews of executives of various companies dealing in the market as well as using the survey reports, research institute, and latest research reports. Meanwhile, the analyst team keeps preparing a set of questionnaires, and after getting the appointee list; the target audience is then tapped and segregated with various mediums and channels that are feasible for making connections that including email communication, telephonic, skype, LinkedIn Group & InMail, Community Forums, Community Forums, open Survey, SurveyMonkey, etc.

Report Objectives / Segmentation Covered

By Type
  • Music
  • Video
  • Gaming
  • Other
By Application
  • Adult
  • Child
By Software Mode
  • Online
  • Offline

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Robust Increase in Active Mobile users
      • 3.2.2. Growing creation of subscription video services (SVOD)
      • 3.2.3. Integration with AR and VR Technology
    • 3.3. Market Challenges
      • 3.3.1. Volatile Consumer Preferences
      • 3.3.2. Stringent Cyber Security Regulations might Stagnate Business Growth
    • 3.4. Market Trends
      • 3.4.1. Increasing Adoption of Entertainment Software in the United States
      • 3.4.2. Growing Interests in Live Gaming Experiences
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Entertainment Software, by Type, Application, Software Mode and Region (value and price ) (2018-2023)
    • 5.1. Introduction
    • 5.2. Global Entertainment Software (Value)
      • 5.2.1. Global Entertainment Software by: Type (Value)
        • 5.2.1.1. Music
        • 5.2.1.2. Video
        • 5.2.1.3. Gaming
        • 5.2.1.4. Other
      • 5.2.2. Global Entertainment Software by: Application (Value)
        • 5.2.2.1. Adult
        • 5.2.2.2. Child
      • 5.2.3. Global Entertainment Software by: Software Mode (Value)
        • 5.2.3.1. Online
        • 5.2.3.2. Offline
      • 5.2.4. Global Entertainment Software Region
        • 5.2.4.1. South America
          • 5.2.4.1.1. Brazil
          • 5.2.4.1.2. Argentina
          • 5.2.4.1.3. Rest of South America
        • 5.2.4.2. Asia Pacific
          • 5.2.4.2.1. China
          • 5.2.4.2.2. Japan
          • 5.2.4.2.3. India
          • 5.2.4.2.4. South Korea
          • 5.2.4.2.5. Taiwan
          • 5.2.4.2.6. Australia
          • 5.2.4.2.7. Rest of Asia-Pacific
        • 5.2.4.3. Europe
          • 5.2.4.3.1. Germany
          • 5.2.4.3.2. France
          • 5.2.4.3.3. Italy
          • 5.2.4.3.4. United Kingdom
          • 5.2.4.3.5. Netherlands
          • 5.2.4.3.6. Rest of Europe
        • 5.2.4.4. MEA
          • 5.2.4.4.1. Middle East
          • 5.2.4.4.2. Africa
        • 5.2.4.5. North America
          • 5.2.4.5.1. United States
          • 5.2.4.5.2. Canada
          • 5.2.4.5.3. Mexico
    • 5.3. Global Entertainment Software (Price)
      • 5.3.1. Global Entertainment Software by: Type (Price)
  • 6. Entertainment Software: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2023)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. 2K Games (United States)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Tencent (China)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Petroglyph Games (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Sony Computer Entertainment (Japan)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Ubisoft Entertainment (France)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Activision Blizzard (United States)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Nexon (United States)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Disney Interactive (United States)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Electronic Arts (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. Nintendo (United States)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Entertainment Software Sale, by Type, Application, Software Mode and Region (value and price ) (2025-2030)
    • 7.1. Introduction
    • 7.2. Global Entertainment Software (Value)
      • 7.2.1. Global Entertainment Software by: Type (Value)
        • 7.2.1.1. Music
        • 7.2.1.2. Video
        • 7.2.1.3. Gaming
        • 7.2.1.4. Other
      • 7.2.2. Global Entertainment Software by: Application (Value)
        • 7.2.2.1. Adult
        • 7.2.2.2. Child
      • 7.2.3. Global Entertainment Software by: Software Mode (Value)
        • 7.2.3.1. Online
        • 7.2.3.2. Offline
      • 7.2.4. Global Entertainment Software Region
        • 7.2.4.1. South America
          • 7.2.4.1.1. Brazil
          • 7.2.4.1.2. Argentina
          • 7.2.4.1.3. Rest of South America
        • 7.2.4.2. Asia Pacific
          • 7.2.4.2.1. China
          • 7.2.4.2.2. Japan
          • 7.2.4.2.3. India
          • 7.2.4.2.4. South Korea
          • 7.2.4.2.5. Taiwan
          • 7.2.4.2.6. Australia
          • 7.2.4.2.7. Rest of Asia-Pacific
        • 7.2.4.3. Europe
          • 7.2.4.3.1. Germany
          • 7.2.4.3.2. France
          • 7.2.4.3.3. Italy
          • 7.2.4.3.4. United Kingdom
          • 7.2.4.3.5. Netherlands
          • 7.2.4.3.6. Rest of Europe
        • 7.2.4.4. MEA
          • 7.2.4.4.1. Middle East
          • 7.2.4.4.2. Africa
        • 7.2.4.5. North America
          • 7.2.4.5.1. United States
          • 7.2.4.5.2. Canada
          • 7.2.4.5.3. Mexico
    • 7.3. Global Entertainment Software (Price)
      • 7.3.1. Global Entertainment Software by: Type (Price)
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Entertainment Software: by Type(USD Million)
  • Table 2. Entertainment Software Music , by Region USD Million (2018-2023)
  • Table 3. Entertainment Software Video , by Region USD Million (2018-2023)
  • Table 4. Entertainment Software Gaming , by Region USD Million (2018-2023)
  • Table 5. Entertainment Software Other , by Region USD Million (2018-2023)
  • Table 6. Entertainment Software: by Application(USD Million)
  • Table 7. Entertainment Software Adult , by Region USD Million (2018-2023)
  • Table 8. Entertainment Software Child , by Region USD Million (2018-2023)
  • Table 9. Entertainment Software: by Software Mode(USD Million)
  • Table 10. Entertainment Software Online , by Region USD Million (2018-2023)
  • Table 11. Entertainment Software Offline , by Region USD Million (2018-2023)
  • Table 12. South America Entertainment Software, by Country USD Million (2018-2023)
  • Table 13. South America Entertainment Software, by Type USD Million (2018-2023)
  • Table 14. South America Entertainment Software, by Application USD Million (2018-2023)
  • Table 15. South America Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 16. Brazil Entertainment Software, by Type USD Million (2018-2023)
  • Table 17. Brazil Entertainment Software, by Application USD Million (2018-2023)
  • Table 18. Brazil Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 19. Argentina Entertainment Software, by Type USD Million (2018-2023)
  • Table 20. Argentina Entertainment Software, by Application USD Million (2018-2023)
  • Table 21. Argentina Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 22. Rest of South America Entertainment Software, by Type USD Million (2018-2023)
  • Table 23. Rest of South America Entertainment Software, by Application USD Million (2018-2023)
  • Table 24. Rest of South America Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 25. Asia Pacific Entertainment Software, by Country USD Million (2018-2023)
  • Table 26. Asia Pacific Entertainment Software, by Type USD Million (2018-2023)
  • Table 27. Asia Pacific Entertainment Software, by Application USD Million (2018-2023)
  • Table 28. Asia Pacific Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 29. China Entertainment Software, by Type USD Million (2018-2023)
  • Table 30. China Entertainment Software, by Application USD Million (2018-2023)
  • Table 31. China Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 32. Japan Entertainment Software, by Type USD Million (2018-2023)
  • Table 33. Japan Entertainment Software, by Application USD Million (2018-2023)
  • Table 34. Japan Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 35. India Entertainment Software, by Type USD Million (2018-2023)
  • Table 36. India Entertainment Software, by Application USD Million (2018-2023)
  • Table 37. India Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 38. South Korea Entertainment Software, by Type USD Million (2018-2023)
  • Table 39. South Korea Entertainment Software, by Application USD Million (2018-2023)
  • Table 40. South Korea Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 41. Taiwan Entertainment Software, by Type USD Million (2018-2023)
  • Table 42. Taiwan Entertainment Software, by Application USD Million (2018-2023)
  • Table 43. Taiwan Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 44. Australia Entertainment Software, by Type USD Million (2018-2023)
  • Table 45. Australia Entertainment Software, by Application USD Million (2018-2023)
  • Table 46. Australia Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 47. Rest of Asia-Pacific Entertainment Software, by Type USD Million (2018-2023)
  • Table 48. Rest of Asia-Pacific Entertainment Software, by Application USD Million (2018-2023)
  • Table 49. Rest of Asia-Pacific Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 50. Europe Entertainment Software, by Country USD Million (2018-2023)
  • Table 51. Europe Entertainment Software, by Type USD Million (2018-2023)
  • Table 52. Europe Entertainment Software, by Application USD Million (2018-2023)
  • Table 53. Europe Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 54. Germany Entertainment Software, by Type USD Million (2018-2023)
  • Table 55. Germany Entertainment Software, by Application USD Million (2018-2023)
  • Table 56. Germany Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 57. France Entertainment Software, by Type USD Million (2018-2023)
  • Table 58. France Entertainment Software, by Application USD Million (2018-2023)
  • Table 59. France Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 60. Italy Entertainment Software, by Type USD Million (2018-2023)
  • Table 61. Italy Entertainment Software, by Application USD Million (2018-2023)
  • Table 62. Italy Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 63. United Kingdom Entertainment Software, by Type USD Million (2018-2023)
  • Table 64. United Kingdom Entertainment Software, by Application USD Million (2018-2023)
  • Table 65. United Kingdom Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 66. Netherlands Entertainment Software, by Type USD Million (2018-2023)
  • Table 67. Netherlands Entertainment Software, by Application USD Million (2018-2023)
  • Table 68. Netherlands Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 69. Rest of Europe Entertainment Software, by Type USD Million (2018-2023)
  • Table 70. Rest of Europe Entertainment Software, by Application USD Million (2018-2023)
  • Table 71. Rest of Europe Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 72. MEA Entertainment Software, by Country USD Million (2018-2023)
  • Table 73. MEA Entertainment Software, by Type USD Million (2018-2023)
  • Table 74. MEA Entertainment Software, by Application USD Million (2018-2023)
  • Table 75. MEA Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 76. Middle East Entertainment Software, by Type USD Million (2018-2023)
  • Table 77. Middle East Entertainment Software, by Application USD Million (2018-2023)
  • Table 78. Middle East Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 79. Africa Entertainment Software, by Type USD Million (2018-2023)
  • Table 80. Africa Entertainment Software, by Application USD Million (2018-2023)
  • Table 81. Africa Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 82. North America Entertainment Software, by Country USD Million (2018-2023)
  • Table 83. North America Entertainment Software, by Type USD Million (2018-2023)
  • Table 84. North America Entertainment Software, by Application USD Million (2018-2023)
  • Table 85. North America Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 86. United States Entertainment Software, by Type USD Million (2018-2023)
  • Table 87. United States Entertainment Software, by Application USD Million (2018-2023)
  • Table 88. United States Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 89. Canada Entertainment Software, by Type USD Million (2018-2023)
  • Table 90. Canada Entertainment Software, by Application USD Million (2018-2023)
  • Table 91. Canada Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 92. Mexico Entertainment Software, by Type USD Million (2018-2023)
  • Table 93. Mexico Entertainment Software, by Application USD Million (2018-2023)
  • Table 94. Mexico Entertainment Software, by Software Mode USD Million (2018-2023)
  • Table 95. Entertainment Software: by Type(USD/Units)
  • Table 96. Company Basic Information, Sales Area and Its Competitors
  • Table 97. Company Basic Information, Sales Area and Its Competitors
  • Table 98. Company Basic Information, Sales Area and Its Competitors
  • Table 99. Company Basic Information, Sales Area and Its Competitors
  • Table 100. Company Basic Information, Sales Area and Its Competitors
  • Table 101. Company Basic Information, Sales Area and Its Competitors
  • Table 102. Company Basic Information, Sales Area and Its Competitors
  • Table 103. Company Basic Information, Sales Area and Its Competitors
  • Table 104. Company Basic Information, Sales Area and Its Competitors
  • Table 105. Company Basic Information, Sales Area and Its Competitors
  • Table 106. Entertainment Software: by Type(USD Million)
  • Table 107. Entertainment Software Music , by Region USD Million (2025-2030)
  • Table 108. Entertainment Software Video , by Region USD Million (2025-2030)
  • Table 109. Entertainment Software Gaming , by Region USD Million (2025-2030)
  • Table 110. Entertainment Software Other , by Region USD Million (2025-2030)
  • Table 111. Entertainment Software: by Application(USD Million)
  • Table 112. Entertainment Software Adult , by Region USD Million (2025-2030)
  • Table 113. Entertainment Software Child , by Region USD Million (2025-2030)
  • Table 114. Entertainment Software: by Software Mode(USD Million)
  • Table 115. Entertainment Software Online , by Region USD Million (2025-2030)
  • Table 116. Entertainment Software Offline , by Region USD Million (2025-2030)
  • Table 117. South America Entertainment Software, by Country USD Million (2025-2030)
  • Table 118. South America Entertainment Software, by Type USD Million (2025-2030)
  • Table 119. South America Entertainment Software, by Application USD Million (2025-2030)
  • Table 120. South America Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 121. Brazil Entertainment Software, by Type USD Million (2025-2030)
  • Table 122. Brazil Entertainment Software, by Application USD Million (2025-2030)
  • Table 123. Brazil Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 124. Argentina Entertainment Software, by Type USD Million (2025-2030)
  • Table 125. Argentina Entertainment Software, by Application USD Million (2025-2030)
  • Table 126. Argentina Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 127. Rest of South America Entertainment Software, by Type USD Million (2025-2030)
  • Table 128. Rest of South America Entertainment Software, by Application USD Million (2025-2030)
  • Table 129. Rest of South America Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 130. Asia Pacific Entertainment Software, by Country USD Million (2025-2030)
  • Table 131. Asia Pacific Entertainment Software, by Type USD Million (2025-2030)
  • Table 132. Asia Pacific Entertainment Software, by Application USD Million (2025-2030)
  • Table 133. Asia Pacific Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 134. China Entertainment Software, by Type USD Million (2025-2030)
  • Table 135. China Entertainment Software, by Application USD Million (2025-2030)
  • Table 136. China Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 137. Japan Entertainment Software, by Type USD Million (2025-2030)
  • Table 138. Japan Entertainment Software, by Application USD Million (2025-2030)
  • Table 139. Japan Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 140. India Entertainment Software, by Type USD Million (2025-2030)
  • Table 141. India Entertainment Software, by Application USD Million (2025-2030)
  • Table 142. India Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 143. South Korea Entertainment Software, by Type USD Million (2025-2030)
  • Table 144. South Korea Entertainment Software, by Application USD Million (2025-2030)
  • Table 145. South Korea Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 146. Taiwan Entertainment Software, by Type USD Million (2025-2030)
  • Table 147. Taiwan Entertainment Software, by Application USD Million (2025-2030)
  • Table 148. Taiwan Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 149. Australia Entertainment Software, by Type USD Million (2025-2030)
  • Table 150. Australia Entertainment Software, by Application USD Million (2025-2030)
  • Table 151. Australia Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 152. Rest of Asia-Pacific Entertainment Software, by Type USD Million (2025-2030)
  • Table 153. Rest of Asia-Pacific Entertainment Software, by Application USD Million (2025-2030)
  • Table 154. Rest of Asia-Pacific Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 155. Europe Entertainment Software, by Country USD Million (2025-2030)
  • Table 156. Europe Entertainment Software, by Type USD Million (2025-2030)
  • Table 157. Europe Entertainment Software, by Application USD Million (2025-2030)
  • Table 158. Europe Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 159. Germany Entertainment Software, by Type USD Million (2025-2030)
  • Table 160. Germany Entertainment Software, by Application USD Million (2025-2030)
  • Table 161. Germany Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 162. France Entertainment Software, by Type USD Million (2025-2030)
  • Table 163. France Entertainment Software, by Application USD Million (2025-2030)
  • Table 164. France Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 165. Italy Entertainment Software, by Type USD Million (2025-2030)
  • Table 166. Italy Entertainment Software, by Application USD Million (2025-2030)
  • Table 167. Italy Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 168. United Kingdom Entertainment Software, by Type USD Million (2025-2030)
  • Table 169. United Kingdom Entertainment Software, by Application USD Million (2025-2030)
  • Table 170. United Kingdom Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 171. Netherlands Entertainment Software, by Type USD Million (2025-2030)
  • Table 172. Netherlands Entertainment Software, by Application USD Million (2025-2030)
  • Table 173. Netherlands Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 174. Rest of Europe Entertainment Software, by Type USD Million (2025-2030)
  • Table 175. Rest of Europe Entertainment Software, by Application USD Million (2025-2030)
  • Table 176. Rest of Europe Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 177. MEA Entertainment Software, by Country USD Million (2025-2030)
  • Table 178. MEA Entertainment Software, by Type USD Million (2025-2030)
  • Table 179. MEA Entertainment Software, by Application USD Million (2025-2030)
  • Table 180. MEA Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 181. Middle East Entertainment Software, by Type USD Million (2025-2030)
  • Table 182. Middle East Entertainment Software, by Application USD Million (2025-2030)
  • Table 183. Middle East Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 184. Africa Entertainment Software, by Type USD Million (2025-2030)
  • Table 185. Africa Entertainment Software, by Application USD Million (2025-2030)
  • Table 186. Africa Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 187. North America Entertainment Software, by Country USD Million (2025-2030)
  • Table 188. North America Entertainment Software, by Type USD Million (2025-2030)
  • Table 189. North America Entertainment Software, by Application USD Million (2025-2030)
  • Table 190. North America Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 191. United States Entertainment Software, by Type USD Million (2025-2030)
  • Table 192. United States Entertainment Software, by Application USD Million (2025-2030)
  • Table 193. United States Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 194. Canada Entertainment Software, by Type USD Million (2025-2030)
  • Table 195. Canada Entertainment Software, by Application USD Million (2025-2030)
  • Table 196. Canada Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 197. Mexico Entertainment Software, by Type USD Million (2025-2030)
  • Table 198. Mexico Entertainment Software, by Application USD Million (2025-2030)
  • Table 199. Mexico Entertainment Software, by Software Mode USD Million (2025-2030)
  • Table 200. Entertainment Software: by Type(USD/Units)
  • Table 201. Research Programs/Design for This Report
  • Table 202. Key Data Information from Secondary Sources
  • Table 203. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Entertainment Software: by Type USD Million (2018-2023)
  • Figure 5. Global Entertainment Software: by Application USD Million (2018-2023)
  • Figure 6. Global Entertainment Software: by Software Mode USD Million (2018-2023)
  • Figure 7. South America Entertainment Software Share (%), by Country
  • Figure 8. Asia Pacific Entertainment Software Share (%), by Country
  • Figure 9. Europe Entertainment Software Share (%), by Country
  • Figure 10. MEA Entertainment Software Share (%), by Country
  • Figure 11. North America Entertainment Software Share (%), by Country
  • Figure 12. Global Entertainment Software: by Type USD/Units (2018-2023)
  • Figure 13. Global Entertainment Software share by Players 2023 (%)
  • Figure 14. Global Entertainment Software share by Players (Top 3) 2023(%)
  • Figure 15. Global Entertainment Software share by Players (Top 5) 2023(%)
  • Figure 16. BCG Matrix for key Companies
  • Figure 17. 2K Games (United States) Revenue, Net Income and Gross profit
  • Figure 18. 2K Games (United States) Revenue: by Geography 2023
  • Figure 19. Tencent (China) Revenue, Net Income and Gross profit
  • Figure 20. Tencent (China) Revenue: by Geography 2023
  • Figure 21. Petroglyph Games (United States) Revenue, Net Income and Gross profit
  • Figure 22. Petroglyph Games (United States) Revenue: by Geography 2023
  • Figure 23. Sony Computer Entertainment (Japan) Revenue, Net Income and Gross profit
  • Figure 24. Sony Computer Entertainment (Japan) Revenue: by Geography 2023
  • Figure 25. Ubisoft Entertainment (France) Revenue, Net Income and Gross profit
  • Figure 26. Ubisoft Entertainment (France) Revenue: by Geography 2023
  • Figure 27. Activision Blizzard (United States) Revenue, Net Income and Gross profit
  • Figure 28. Activision Blizzard (United States) Revenue: by Geography 2023
  • Figure 29. Nexon (United States) Revenue, Net Income and Gross profit
  • Figure 30. Nexon (United States) Revenue: by Geography 2023
  • Figure 31. Disney Interactive (United States) Revenue, Net Income and Gross profit
  • Figure 32. Disney Interactive (United States) Revenue: by Geography 2023
  • Figure 33. Electronic Arts (United States) Revenue, Net Income and Gross profit
  • Figure 34. Electronic Arts (United States) Revenue: by Geography 2023
  • Figure 35. Nintendo (United States) Revenue, Net Income and Gross profit
  • Figure 36. Nintendo (United States) Revenue: by Geography 2023
  • Figure 37. Global Entertainment Software: by Type USD Million (2025-2030)
  • Figure 38. Global Entertainment Software: by Application USD Million (2025-2030)
  • Figure 39. Global Entertainment Software: by Software Mode USD Million (2025-2030)
  • Figure 40. South America Entertainment Software Share (%), by Country
  • Figure 41. Asia Pacific Entertainment Software Share (%), by Country
  • Figure 42. Europe Entertainment Software Share (%), by Country
  • Figure 43. MEA Entertainment Software Share (%), by Country
  • Figure 44. North America Entertainment Software Share (%), by Country
  • Figure 45. Global Entertainment Software: by Type USD/Units (2025-2030)
List of companies from research coverage that are profiled in the study
  • 2K Games (United States)
  • Tencent (China)
  • Petroglyph Games (United States)
  • Sony Computer Entertainment (Japan)
  • Ubisoft Entertainment (France)
  • Activision Blizzard (United States)
  • Nexon (United States)
  • Disney Interactive (United States)
  • Electronic Arts (United States)
  • Nintendo (United States)
Additional players considered in the study are as follows:
VideoLAN Corporation (France) , Lifescape, Inc. (United States)
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Key Highlights of Report


Jan 2024 201 Pages 83 Tables Base Year: 2023 Coverage: 15+ Companies; 18 Countries

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Global Entertainment Software Quantitative research analysis
Global Entertainment Software Qualitative Industry Analysis
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Frequently Asked Questions (FAQ):

The standard version of the report profiles players such as 2K Games (United States), Tencent (China), Petroglyph Games (United States), Sony Computer Entertainment (Japan), Ubisoft Entertainment (France), Activision Blizzard (United States), Nexon (United States), Disney Interactive (United States), Electronic Arts (United States) and Nintendo (United States) etc.
The Study can be customized subject to feasibility and data availability. Please connect with our sales representative for further information.
"Increasing Adoption of Entertainment Software in the United States " is seen as one of major influencing trends for Entertainment Software Market during projected period 2023-2030.
The Entertainment Software market study includes a random mix of players, including both market leaders and some top growing emerging players. Connect with our sales executive to get a complete company list in our research coverage.

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