Global Electronic Music

Electronic Music Comprehensive Study by Type (Electronica, Trance, House, Techno, Disco, Drum and Bass, Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental}), Application (DJs & Live Concerts, Clubs, Other), End Users (Male, Female) Players and Region - Global Market Outlook to 2027

Electronic Music Market by XX Submarkets | Forecast Years 2022-2027  

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  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
What is Electronic Music Market Scope?
Electronic music features several genres that are heavily influenced by various electric driven instruments such as synthesizers, digital work stations, electric drums, and software. The style also influenced mainstream pop. Many vocalists lend their voices to disc jockeys or musicians who mastered the art of mixing several hi-tech gadgets. Usually played in bars and clubs, electronic music has captured a wide audience. From an underground sensation, it became a widely accepted field of interest. There are several types of electronic music are popular among the audience such as house techno, trance, chillout, dubstep, techno, and EDM, among others. There are a lot of subcategories or experimental trends for the latest innovation in music that began garnering a much larger fan base.

Electronic Music Market Dynamics:
AttributesDetails
Growth Drivers
  • Increased Number of Dance-Related Live Events Worldwide
  • The Increasing Numbers of Clubs across the Globe
  • The Rising Demand for the Electronic Music among the Millennial
Influencing Trends
  • Emerging Trend Is the Increasing Availability of both the Hardware and Software Needed To Create Electronic Music
Restraints
  • An Availability of Other Music Genres
Road Blocks / Challenges
  • Many Live Events & Festivals Postponed Due to Corona Virus Outbreak
Gaps & Opportunities
  • Surging Interest from New Regions like Asia and South America


The Electronic Music market study is being classified by Type (Electronica, Trance, House, Techno, Disco, Drum and Bass and Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental}), by Application and major geographies with country level break-up.

Analysts at AMA predicts that Vendors from United Kingdom will contribute to the maximum growth of Global Electronic Music market throughout the predicted period.

Spinnin' Records (Netherlands), Mad Decent (United States), Ultra Music (United States), Armada Music (Netherlands), OWSLA (United States), Monstercat (Canada), Ministry of Sound (India), Revealed Recordings (Netherlands), Dim Mak (United States) and Defected (United Kingdom) are some of the key players profiled in the study. Additionally, the Vendors which are also part of the research are XL Recordings (United Kingdom), Domino Records (United Kingdom), Interscope Geffen A&M (United States), Future Classic (Australia) and Ninja Tune (United Kingdom).

Segmentation Analysis
Analyst at AMA have segmented the market study of Global Electronic Music market by Type, Application and Region.

On the basis of geography, the market of Electronic Music has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico).

Market Influencers and their Development Strategies
On 8 Sept 2017, Warner Music Group has officially acquired Spinnin’ Records for a deal worth approximately USD 100 Million. This will be one of the largest acquisitions in the modern day music industry.
From 1 Aug 2019 Sony Music Entertainment and Sony/ATV Music Publishing started performing as one unit under Sony Music Group. The purpose of their new venture was to strengthen and solidify Sony’s position as a leader in the music industry. Since the merger was announced, Sony has ventured into a series of acquisitions of three different companies along with a joint venture in India that insinuate their will to become the leading global music label.


Key Target Audience
Electronic Music Hardware Manufacturers, Electronic Music Software Developers, Potential Technology Investors, Regulatory & Government Bodies, Downstream Vendors, End Users and Others

Electronic Music Market Study: Important Years
AttributesDetails
Study Period2017-2027
Base Year2021
Forecast Period2022-2027
Historical Period2017-2021
UnitValue (USD Million)
Customization ScopeAvail customization with purchase of this report. Add or modify country, region & or narrow down segments in the final scope subject to feasibility


Customization available in this Study:
The Study can be customized to meet your requirements. Please connect with our representative, who will ensure you get a report that suits your needs.

To compete effectively, companies also require quantitative estimates of the future growth and qualitative nature of the market. AMA Research features not just specific market sizing estimates, but also include significant value-added commentary on Technological Trends and Innovations, Regulatory Policies, Market Maturity Indicators, Market Share Movements, New Entrants into the Market & Entry/Exit Barriers, Consumer Demographics, Supporting Company Financial and Cash Flow Planning, Open Up New Markets , To Seize Powerful Market Opportunities, Key Decision in Planning and to Further Expand Market Share, Identify Key Business Segments, Market Proposition & Gap Analysis.

Report Objectives / Segmentation Covered

By Type
  • Electronica
  • Trance
  • House
  • Techno
  • Disco
  • Drum and Bass
  • Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental}
By Application
  • DJs & Live Concerts
  • Clubs
  • Other
By End Users
  • Male
  • Female

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Increased Number of Dance-Related Live Events Worldwide
      • 3.2.2. The Increasing Numbers of Clubs across the Globe
      • 3.2.3. The Rising Demand for the Electronic Music among the Millennial
    • 3.3. Market Challenges
      • 3.3.1. Many Live Events & Festivals Postponed Due to Corona Virus Outbreak
    • 3.4. Market Trends
      • 3.4.1. Emerging Trend Is the Increasing Availability of both the Hardware and Software Needed To Create Electronic Music
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Electronic Music, by Type, Application, End Users and Region (value) (2016-2021)
    • 5.1. Introduction
    • 5.2. Global Electronic Music (Value)
      • 5.2.1. Global Electronic Music by: Type (Value)
        • 5.2.1.1. Electronica
        • 5.2.1.2. Trance
        • 5.2.1.3. House
        • 5.2.1.4. Techno
        • 5.2.1.5. Disco
        • 5.2.1.6. Drum and Bass
        • 5.2.1.7. Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental}
      • 5.2.2. Global Electronic Music by: Application (Value)
        • 5.2.2.1. DJs & Live Concerts
        • 5.2.2.2. Clubs
        • 5.2.2.3. Other
      • 5.2.3. Global Electronic Music by: End Users (Value)
        • 5.2.3.1. Male
        • 5.2.3.2. Female
      • 5.2.4. Global Electronic Music Region
        • 5.2.4.1. South America
          • 5.2.4.1.1. Brazil
          • 5.2.4.1.2. Argentina
          • 5.2.4.1.3. Rest of South America
        • 5.2.4.2. Asia Pacific
          • 5.2.4.2.1. China
          • 5.2.4.2.2. Japan
          • 5.2.4.2.3. India
          • 5.2.4.2.4. South Korea
          • 5.2.4.2.5. Taiwan
          • 5.2.4.2.6. Australia
          • 5.2.4.2.7. Rest of Asia-Pacific
        • 5.2.4.3. Europe
          • 5.2.4.3.1. Germany
          • 5.2.4.3.2. France
          • 5.2.4.3.3. Italy
          • 5.2.4.3.4. United Kingdom
          • 5.2.4.3.5. Netherlands
          • 5.2.4.3.6. Rest of Europe
        • 5.2.4.4. MEA
          • 5.2.4.4.1. Middle East
          • 5.2.4.4.2. Africa
        • 5.2.4.5. North America
          • 5.2.4.5.1. United States
          • 5.2.4.5.2. Canada
          • 5.2.4.5.3. Mexico
  • 6. Electronic Music: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2021)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Spinnin' Records (Netherlands)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Mad Decent (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Ultra Music (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Armada Music (Netherlands)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. OWSLA (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Monstercat (Canada)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Ministry of Sound (India)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Revealed Recordings (Netherlands)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Dim Mak (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. Defected (United Kingdom)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Electronic Music Sale, by Type, Application, End Users and Region (value) (2022-2027)
    • 7.1. Introduction
    • 7.2. Global Electronic Music (Value)
      • 7.2.1. Global Electronic Music by: Type (Value)
        • 7.2.1.1. Electronica
        • 7.2.1.2. Trance
        • 7.2.1.3. House
        • 7.2.1.4. Techno
        • 7.2.1.5. Disco
        • 7.2.1.6. Drum and Bass
        • 7.2.1.7. Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental}
      • 7.2.2. Global Electronic Music by: Application (Value)
        • 7.2.2.1. DJs & Live Concerts
        • 7.2.2.2. Clubs
        • 7.2.2.3. Other
      • 7.2.3. Global Electronic Music by: End Users (Value)
        • 7.2.3.1. Male
        • 7.2.3.2. Female
      • 7.2.4. Global Electronic Music Region
        • 7.2.4.1. South America
          • 7.2.4.1.1. Brazil
          • 7.2.4.1.2. Argentina
          • 7.2.4.1.3. Rest of South America
        • 7.2.4.2. Asia Pacific
          • 7.2.4.2.1. China
          • 7.2.4.2.2. Japan
          • 7.2.4.2.3. India
          • 7.2.4.2.4. South Korea
          • 7.2.4.2.5. Taiwan
          • 7.2.4.2.6. Australia
          • 7.2.4.2.7. Rest of Asia-Pacific
        • 7.2.4.3. Europe
          • 7.2.4.3.1. Germany
          • 7.2.4.3.2. France
          • 7.2.4.3.3. Italy
          • 7.2.4.3.4. United Kingdom
          • 7.2.4.3.5. Netherlands
          • 7.2.4.3.6. Rest of Europe
        • 7.2.4.4. MEA
          • 7.2.4.4.1. Middle East
          • 7.2.4.4.2. Africa
        • 7.2.4.5. North America
          • 7.2.4.5.1. United States
          • 7.2.4.5.2. Canada
          • 7.2.4.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Electronic Music: by Type(USD Million)
  • Table 2. Electronic Music Electronica , by Region USD Million (2016-2021)
  • Table 3. Electronic Music Trance , by Region USD Million (2016-2021)
  • Table 4. Electronic Music House , by Region USD Million (2016-2021)
  • Table 5. Electronic Music Techno , by Region USD Million (2016-2021)
  • Table 6. Electronic Music Disco , by Region USD Million (2016-2021)
  • Table 7. Electronic Music Drum and Bass , by Region USD Million (2016-2021)
  • Table 8. Electronic Music Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental} , by Region USD Million (2016-2021)
  • Table 9. Electronic Music: by Application(USD Million)
  • Table 10. Electronic Music DJs & Live Concerts , by Region USD Million (2016-2021)
  • Table 11. Electronic Music Clubs , by Region USD Million (2016-2021)
  • Table 12. Electronic Music Other , by Region USD Million (2016-2021)
  • Table 13. Electronic Music: by End Users(USD Million)
  • Table 14. Electronic Music Male , by Region USD Million (2016-2021)
  • Table 15. Electronic Music Female , by Region USD Million (2016-2021)
  • Table 16. South America Electronic Music, by Country USD Million (2016-2021)
  • Table 17. South America Electronic Music, by Type USD Million (2016-2021)
  • Table 18. South America Electronic Music, by Application USD Million (2016-2021)
  • Table 19. South America Electronic Music, by End Users USD Million (2016-2021)
  • Table 20. Brazil Electronic Music, by Type USD Million (2016-2021)
  • Table 21. Brazil Electronic Music, by Application USD Million (2016-2021)
  • Table 22. Brazil Electronic Music, by End Users USD Million (2016-2021)
  • Table 23. Argentina Electronic Music, by Type USD Million (2016-2021)
  • Table 24. Argentina Electronic Music, by Application USD Million (2016-2021)
  • Table 25. Argentina Electronic Music, by End Users USD Million (2016-2021)
  • Table 26. Rest of South America Electronic Music, by Type USD Million (2016-2021)
  • Table 27. Rest of South America Electronic Music, by Application USD Million (2016-2021)
  • Table 28. Rest of South America Electronic Music, by End Users USD Million (2016-2021)
  • Table 29. Asia Pacific Electronic Music, by Country USD Million (2016-2021)
  • Table 30. Asia Pacific Electronic Music, by Type USD Million (2016-2021)
  • Table 31. Asia Pacific Electronic Music, by Application USD Million (2016-2021)
  • Table 32. Asia Pacific Electronic Music, by End Users USD Million (2016-2021)
  • Table 33. China Electronic Music, by Type USD Million (2016-2021)
  • Table 34. China Electronic Music, by Application USD Million (2016-2021)
  • Table 35. China Electronic Music, by End Users USD Million (2016-2021)
  • Table 36. Japan Electronic Music, by Type USD Million (2016-2021)
  • Table 37. Japan Electronic Music, by Application USD Million (2016-2021)
  • Table 38. Japan Electronic Music, by End Users USD Million (2016-2021)
  • Table 39. India Electronic Music, by Type USD Million (2016-2021)
  • Table 40. India Electronic Music, by Application USD Million (2016-2021)
  • Table 41. India Electronic Music, by End Users USD Million (2016-2021)
  • Table 42. South Korea Electronic Music, by Type USD Million (2016-2021)
  • Table 43. South Korea Electronic Music, by Application USD Million (2016-2021)
  • Table 44. South Korea Electronic Music, by End Users USD Million (2016-2021)
  • Table 45. Taiwan Electronic Music, by Type USD Million (2016-2021)
  • Table 46. Taiwan Electronic Music, by Application USD Million (2016-2021)
  • Table 47. Taiwan Electronic Music, by End Users USD Million (2016-2021)
  • Table 48. Australia Electronic Music, by Type USD Million (2016-2021)
  • Table 49. Australia Electronic Music, by Application USD Million (2016-2021)
  • Table 50. Australia Electronic Music, by End Users USD Million (2016-2021)
  • Table 51. Rest of Asia-Pacific Electronic Music, by Type USD Million (2016-2021)
  • Table 52. Rest of Asia-Pacific Electronic Music, by Application USD Million (2016-2021)
  • Table 53. Rest of Asia-Pacific Electronic Music, by End Users USD Million (2016-2021)
  • Table 54. Europe Electronic Music, by Country USD Million (2016-2021)
  • Table 55. Europe Electronic Music, by Type USD Million (2016-2021)
  • Table 56. Europe Electronic Music, by Application USD Million (2016-2021)
  • Table 57. Europe Electronic Music, by End Users USD Million (2016-2021)
  • Table 58. Germany Electronic Music, by Type USD Million (2016-2021)
  • Table 59. Germany Electronic Music, by Application USD Million (2016-2021)
  • Table 60. Germany Electronic Music, by End Users USD Million (2016-2021)
  • Table 61. France Electronic Music, by Type USD Million (2016-2021)
  • Table 62. France Electronic Music, by Application USD Million (2016-2021)
  • Table 63. France Electronic Music, by End Users USD Million (2016-2021)
  • Table 64. Italy Electronic Music, by Type USD Million (2016-2021)
  • Table 65. Italy Electronic Music, by Application USD Million (2016-2021)
  • Table 66. Italy Electronic Music, by End Users USD Million (2016-2021)
  • Table 67. United Kingdom Electronic Music, by Type USD Million (2016-2021)
  • Table 68. United Kingdom Electronic Music, by Application USD Million (2016-2021)
  • Table 69. United Kingdom Electronic Music, by End Users USD Million (2016-2021)
  • Table 70. Netherlands Electronic Music, by Type USD Million (2016-2021)
  • Table 71. Netherlands Electronic Music, by Application USD Million (2016-2021)
  • Table 72. Netherlands Electronic Music, by End Users USD Million (2016-2021)
  • Table 73. Rest of Europe Electronic Music, by Type USD Million (2016-2021)
  • Table 74. Rest of Europe Electronic Music, by Application USD Million (2016-2021)
  • Table 75. Rest of Europe Electronic Music, by End Users USD Million (2016-2021)
  • Table 76. MEA Electronic Music, by Country USD Million (2016-2021)
  • Table 77. MEA Electronic Music, by Type USD Million (2016-2021)
  • Table 78. MEA Electronic Music, by Application USD Million (2016-2021)
  • Table 79. MEA Electronic Music, by End Users USD Million (2016-2021)
  • Table 80. Middle East Electronic Music, by Type USD Million (2016-2021)
  • Table 81. Middle East Electronic Music, by Application USD Million (2016-2021)
  • Table 82. Middle East Electronic Music, by End Users USD Million (2016-2021)
  • Table 83. Africa Electronic Music, by Type USD Million (2016-2021)
  • Table 84. Africa Electronic Music, by Application USD Million (2016-2021)
  • Table 85. Africa Electronic Music, by End Users USD Million (2016-2021)
  • Table 86. North America Electronic Music, by Country USD Million (2016-2021)
  • Table 87. North America Electronic Music, by Type USD Million (2016-2021)
  • Table 88. North America Electronic Music, by Application USD Million (2016-2021)
  • Table 89. North America Electronic Music, by End Users USD Million (2016-2021)
  • Table 90. United States Electronic Music, by Type USD Million (2016-2021)
  • Table 91. United States Electronic Music, by Application USD Million (2016-2021)
  • Table 92. United States Electronic Music, by End Users USD Million (2016-2021)
  • Table 93. Canada Electronic Music, by Type USD Million (2016-2021)
  • Table 94. Canada Electronic Music, by Application USD Million (2016-2021)
  • Table 95. Canada Electronic Music, by End Users USD Million (2016-2021)
  • Table 96. Mexico Electronic Music, by Type USD Million (2016-2021)
  • Table 97. Mexico Electronic Music, by Application USD Million (2016-2021)
  • Table 98. Mexico Electronic Music, by End Users USD Million (2016-2021)
  • Table 99. Company Basic Information, Sales Area and Its Competitors
  • Table 100. Company Basic Information, Sales Area and Its Competitors
  • Table 101. Company Basic Information, Sales Area and Its Competitors
  • Table 102. Company Basic Information, Sales Area and Its Competitors
  • Table 103. Company Basic Information, Sales Area and Its Competitors
  • Table 104. Company Basic Information, Sales Area and Its Competitors
  • Table 105. Company Basic Information, Sales Area and Its Competitors
  • Table 106. Company Basic Information, Sales Area and Its Competitors
  • Table 107. Company Basic Information, Sales Area and Its Competitors
  • Table 108. Company Basic Information, Sales Area and Its Competitors
  • Table 109. Electronic Music: by Type(USD Million)
  • Table 110. Electronic Music Electronica , by Region USD Million (2022-2027)
  • Table 111. Electronic Music Trance , by Region USD Million (2022-2027)
  • Table 112. Electronic Music House , by Region USD Million (2022-2027)
  • Table 113. Electronic Music Techno , by Region USD Million (2022-2027)
  • Table 114. Electronic Music Disco , by Region USD Million (2022-2027)
  • Table 115. Electronic Music Drum and Bass , by Region USD Million (2022-2027)
  • Table 116. Electronic Music Others {Jungle, Garage, Dubstep, Electro, Kuduro, Hardcore, IDM, Ambient, Experimental} , by Region USD Million (2022-2027)
  • Table 117. Electronic Music: by Application(USD Million)
  • Table 118. Electronic Music DJs & Live Concerts , by Region USD Million (2022-2027)
  • Table 119. Electronic Music Clubs , by Region USD Million (2022-2027)
  • Table 120. Electronic Music Other , by Region USD Million (2022-2027)
  • Table 121. Electronic Music: by End Users(USD Million)
  • Table 122. Electronic Music Male , by Region USD Million (2022-2027)
  • Table 123. Electronic Music Female , by Region USD Million (2022-2027)
  • Table 124. South America Electronic Music, by Country USD Million (2022-2027)
  • Table 125. South America Electronic Music, by Type USD Million (2022-2027)
  • Table 126. South America Electronic Music, by Application USD Million (2022-2027)
  • Table 127. South America Electronic Music, by End Users USD Million (2022-2027)
  • Table 128. Brazil Electronic Music, by Type USD Million (2022-2027)
  • Table 129. Brazil Electronic Music, by Application USD Million (2022-2027)
  • Table 130. Brazil Electronic Music, by End Users USD Million (2022-2027)
  • Table 131. Argentina Electronic Music, by Type USD Million (2022-2027)
  • Table 132. Argentina Electronic Music, by Application USD Million (2022-2027)
  • Table 133. Argentina Electronic Music, by End Users USD Million (2022-2027)
  • Table 134. Rest of South America Electronic Music, by Type USD Million (2022-2027)
  • Table 135. Rest of South America Electronic Music, by Application USD Million (2022-2027)
  • Table 136. Rest of South America Electronic Music, by End Users USD Million (2022-2027)
  • Table 137. Asia Pacific Electronic Music, by Country USD Million (2022-2027)
  • Table 138. Asia Pacific Electronic Music, by Type USD Million (2022-2027)
  • Table 139. Asia Pacific Electronic Music, by Application USD Million (2022-2027)
  • Table 140. Asia Pacific Electronic Music, by End Users USD Million (2022-2027)
  • Table 141. China Electronic Music, by Type USD Million (2022-2027)
  • Table 142. China Electronic Music, by Application USD Million (2022-2027)
  • Table 143. China Electronic Music, by End Users USD Million (2022-2027)
  • Table 144. Japan Electronic Music, by Type USD Million (2022-2027)
  • Table 145. Japan Electronic Music, by Application USD Million (2022-2027)
  • Table 146. Japan Electronic Music, by End Users USD Million (2022-2027)
  • Table 147. India Electronic Music, by Type USD Million (2022-2027)
  • Table 148. India Electronic Music, by Application USD Million (2022-2027)
  • Table 149. India Electronic Music, by End Users USD Million (2022-2027)
  • Table 150. South Korea Electronic Music, by Type USD Million (2022-2027)
  • Table 151. South Korea Electronic Music, by Application USD Million (2022-2027)
  • Table 152. South Korea Electronic Music, by End Users USD Million (2022-2027)
  • Table 153. Taiwan Electronic Music, by Type USD Million (2022-2027)
  • Table 154. Taiwan Electronic Music, by Application USD Million (2022-2027)
  • Table 155. Taiwan Electronic Music, by End Users USD Million (2022-2027)
  • Table 156. Australia Electronic Music, by Type USD Million (2022-2027)
  • Table 157. Australia Electronic Music, by Application USD Million (2022-2027)
  • Table 158. Australia Electronic Music, by End Users USD Million (2022-2027)
  • Table 159. Rest of Asia-Pacific Electronic Music, by Type USD Million (2022-2027)
  • Table 160. Rest of Asia-Pacific Electronic Music, by Application USD Million (2022-2027)
  • Table 161. Rest of Asia-Pacific Electronic Music, by End Users USD Million (2022-2027)
  • Table 162. Europe Electronic Music, by Country USD Million (2022-2027)
  • Table 163. Europe Electronic Music, by Type USD Million (2022-2027)
  • Table 164. Europe Electronic Music, by Application USD Million (2022-2027)
  • Table 165. Europe Electronic Music, by End Users USD Million (2022-2027)
  • Table 166. Germany Electronic Music, by Type USD Million (2022-2027)
  • Table 167. Germany Electronic Music, by Application USD Million (2022-2027)
  • Table 168. Germany Electronic Music, by End Users USD Million (2022-2027)
  • Table 169. France Electronic Music, by Type USD Million (2022-2027)
  • Table 170. France Electronic Music, by Application USD Million (2022-2027)
  • Table 171. France Electronic Music, by End Users USD Million (2022-2027)
  • Table 172. Italy Electronic Music, by Type USD Million (2022-2027)
  • Table 173. Italy Electronic Music, by Application USD Million (2022-2027)
  • Table 174. Italy Electronic Music, by End Users USD Million (2022-2027)
  • Table 175. United Kingdom Electronic Music, by Type USD Million (2022-2027)
  • Table 176. United Kingdom Electronic Music, by Application USD Million (2022-2027)
  • Table 177. United Kingdom Electronic Music, by End Users USD Million (2022-2027)
  • Table 178. Netherlands Electronic Music, by Type USD Million (2022-2027)
  • Table 179. Netherlands Electronic Music, by Application USD Million (2022-2027)
  • Table 180. Netherlands Electronic Music, by End Users USD Million (2022-2027)
  • Table 181. Rest of Europe Electronic Music, by Type USD Million (2022-2027)
  • Table 182. Rest of Europe Electronic Music, by Application USD Million (2022-2027)
  • Table 183. Rest of Europe Electronic Music, by End Users USD Million (2022-2027)
  • Table 184. MEA Electronic Music, by Country USD Million (2022-2027)
  • Table 185. MEA Electronic Music, by Type USD Million (2022-2027)
  • Table 186. MEA Electronic Music, by Application USD Million (2022-2027)
  • Table 187. MEA Electronic Music, by End Users USD Million (2022-2027)
  • Table 188. Middle East Electronic Music, by Type USD Million (2022-2027)
  • Table 189. Middle East Electronic Music, by Application USD Million (2022-2027)
  • Table 190. Middle East Electronic Music, by End Users USD Million (2022-2027)
  • Table 191. Africa Electronic Music, by Type USD Million (2022-2027)
  • Table 192. Africa Electronic Music, by Application USD Million (2022-2027)
  • Table 193. Africa Electronic Music, by End Users USD Million (2022-2027)
  • Table 194. North America Electronic Music, by Country USD Million (2022-2027)
  • Table 195. North America Electronic Music, by Type USD Million (2022-2027)
  • Table 196. North America Electronic Music, by Application USD Million (2022-2027)
  • Table 197. North America Electronic Music, by End Users USD Million (2022-2027)
  • Table 198. United States Electronic Music, by Type USD Million (2022-2027)
  • Table 199. United States Electronic Music, by Application USD Million (2022-2027)
  • Table 200. United States Electronic Music, by End Users USD Million (2022-2027)
  • Table 201. Canada Electronic Music, by Type USD Million (2022-2027)
  • Table 202. Canada Electronic Music, by Application USD Million (2022-2027)
  • Table 203. Canada Electronic Music, by End Users USD Million (2022-2027)
  • Table 204. Mexico Electronic Music, by Type USD Million (2022-2027)
  • Table 205. Mexico Electronic Music, by Application USD Million (2022-2027)
  • Table 206. Mexico Electronic Music, by End Users USD Million (2022-2027)
  • Table 207. Research Programs/Design for This Report
  • Table 208. Key Data Information from Secondary Sources
  • Table 209. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Electronic Music: by Type USD Million (2016-2021)
  • Figure 5. Global Electronic Music: by Application USD Million (2016-2021)
  • Figure 6. Global Electronic Music: by End Users USD Million (2016-2021)
  • Figure 7. South America Electronic Music Share (%), by Country
  • Figure 8. Asia Pacific Electronic Music Share (%), by Country
  • Figure 9. Europe Electronic Music Share (%), by Country
  • Figure 10. MEA Electronic Music Share (%), by Country
  • Figure 11. North America Electronic Music Share (%), by Country
  • Figure 12. Global Electronic Music share by Players 2021 (%)
  • Figure 13. Global Electronic Music share by Players (Top 3) 2021(%)
  • Figure 14. Global Electronic Music share by Players (Top 5) 2021(%)
  • Figure 15. BCG Matrix for key Companies
  • Figure 16. Spinnin' Records (Netherlands) Revenue, Net Income and Gross profit
  • Figure 17. Spinnin' Records (Netherlands) Revenue: by Geography 2021
  • Figure 18. Mad Decent (United States) Revenue, Net Income and Gross profit
  • Figure 19. Mad Decent (United States) Revenue: by Geography 2021
  • Figure 20. Ultra Music (United States) Revenue, Net Income and Gross profit
  • Figure 21. Ultra Music (United States) Revenue: by Geography 2021
  • Figure 22. Armada Music (Netherlands) Revenue, Net Income and Gross profit
  • Figure 23. Armada Music (Netherlands) Revenue: by Geography 2021
  • Figure 24. OWSLA (United States) Revenue, Net Income and Gross profit
  • Figure 25. OWSLA (United States) Revenue: by Geography 2021
  • Figure 26. Monstercat (Canada) Revenue, Net Income and Gross profit
  • Figure 27. Monstercat (Canada) Revenue: by Geography 2021
  • Figure 28. Ministry of Sound (India) Revenue, Net Income and Gross profit
  • Figure 29. Ministry of Sound (India) Revenue: by Geography 2021
  • Figure 30. Revealed Recordings (Netherlands) Revenue, Net Income and Gross profit
  • Figure 31. Revealed Recordings (Netherlands) Revenue: by Geography 2021
  • Figure 32. Dim Mak (United States) Revenue, Net Income and Gross profit
  • Figure 33. Dim Mak (United States) Revenue: by Geography 2021
  • Figure 34. Defected (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 35. Defected (United Kingdom) Revenue: by Geography 2021
  • Figure 36. Global Electronic Music: by Type USD Million (2022-2027)
  • Figure 37. Global Electronic Music: by Application USD Million (2022-2027)
  • Figure 38. Global Electronic Music: by End Users USD Million (2022-2027)
  • Figure 39. South America Electronic Music Share (%), by Country
  • Figure 40. Asia Pacific Electronic Music Share (%), by Country
  • Figure 41. Europe Electronic Music Share (%), by Country
  • Figure 42. MEA Electronic Music Share (%), by Country
  • Figure 43. North America Electronic Music Share (%), by Country
List of companies from research coverage that are profiled in the study
  • Spinnin' Records (Netherlands)
  • Mad Decent (United States)
  • Ultra Music (United States)
  • Armada Music (Netherlands)
  • OWSLA (United States)
  • Monstercat (Canada)
  • Ministry of Sound (India)
  • Revealed Recordings (Netherlands)
  • Dim Mak (United States)
  • Defected (United Kingdom)
Additional players considered in the study are as follows:
XL Recordings (United Kingdom) , Domino Records (United Kingdom) , Interscope Geffen A&M (United States) , Future Classic (Australia) , Ninja Tune (United Kingdom)
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Jul 2022 226 Pages 70 Tables Base Year: 2021 Coverage: 15+ Companies; 18 Countries

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Global Electronic Music Quantitative research analysis
Global Electronic Music Qualitative Industry Analysis
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Frequently Asked Questions (FAQ):

The prominent players of Global Electronic Music market are Spinnin' Records (Netherlands), Mad Decent (United States), Ultra Music (United States), Armada Music (Netherlands), OWSLA (United States), Monstercat (Canada), Ministry of Sound (India), Revealed Recordings (Netherlands), Dim Mak (United States) and Defected (United Kingdom).
In this highly competitive & fast evolving Electronic Music industry, the top strategic priorities would remain consistent like innovation, R&D and M&A.
DJs & Live Concerts, Clubs and Other are the potential customers of Electronic Music industry.

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